Search results for "Hae-su"

'21st Century Princess Consort' — Yoo Su-bin and Lee Yeon, the Aides Who Are a Real Pleasure to Watch

'21st Century Princess Consort' — Yoo Su-bin and Lee Yeon, the Aides Who Are a Real Pleasure to Watch

It’s a real pleasure to watch. The drama 〈21st Century Princess Consort〉, which has been airing since April 10, is set in a Republic of Korea where a constitutional monarchy is in place, and it delights viewers by blending capitalist flavor with the traditional charm of the Joseon era.
[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

I'm curious about people. Even actors who are already getting attention today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewel Box' introduces actors who are hitting new highs day after day. Think of them as breakout stocks and get in at the ground floor.
How did they find someone like this. I wondered right away, thinking they might have literally brought in some unemployed neighborhood freeloader crashing at a friend’s place. The moment Jo Beom-gyu appears in 〈Jjanggu〉, bouncing his leg flippantly, that thought crossed my mind.
'We Are All Trying Here' Koo Kyo-hwan delivers a passionate, deeply skilled performance and shows an irreplaceable presence

'We Are All Trying Here' Koo Kyo-hwan delivers a passionate, deeply skilled performance and shows an irreplaceable presence

"I just don't want to feel anxious" and other realistic lines convey an inner sense of deficiency
Actor Koo Kyo-hwan leads the story as an aspiring film director who has been dreaming of his debut for 20 years in JTBC's new Saturday-Sunday drama 〈We Are All Trying Here〉. In episodes 1 and 2 of 〈We Are All Trying Here〉 broadcast on the 18th, Koo Kyo-hwan appears as the protagonist 'Hwang Dong-man.
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! Meet the Five Muses of ‘Bite Me Sweet’ ⑤ Lee Se-eon

〈Bamis〉 is a K-dessert variety show where five world-famous pâtissiers from across Southeast Asia and five up-and-coming male Korean celebrities team up in pairs to compete in making K-desserts.
Coming in April is the K-dessert variety program 〈Bite Me Sweet〉(also known as 〈Bamis〉), which will be available globally via the OTT platform Viu, with Asia as its hub, and in Korea via Wavve. 〈Bite Me Sweet〉 is a competitive reality show where well-known pâtissiers from each country in Southeast...
Uncovering Time That Shouldn’t Be Buried Again: Movies to Watch Like “My Name Is”

Uncovering Time That Shouldn’t Be Buried Again: Movies to Watch Like “My Name Is”

There are stories we try to bury—but we shouldn’t. And there is a director who makes sure to pull such stories back up, rekindling the public’s memory. The director for 〈My Name Is〉, releasing on April 15, is Director Jeong Ji-young.
Traveling Through Korea in a Fresh New Way with “XO, Kitty”: The Korean Places Inside “XO, Kitty”

Traveling Through Korea in a Fresh New Way with “XO, Kitty”: The Korean Places Inside “XO, Kitty”

When you start each day by riding the “hell train” in the morning and crossing the colorless concrete jungle from one place to another, living through days that feel utterly lifeless can suddenly make you crave a fantasy to escape reality.
The 62nd Baeksang Arts Awards: Final Nominees Revealed... 'The King's Warden' and 'No Other Choice' Lead with 7 Nominations Each in the Film Category

The 62nd Baeksang Arts Awards: Final Nominees Revealed... 'The King's Warden' and 'No Other Choice' Lead with 7 Nominations Each in the Film Category

Marking the 60th Anniversary of Korean Musicals, a 'Musical Category' Is Newly Added... Held at COEX on May 8
Final nominees by category for the 62nd Baeksang Arts Awards were revealed on the 13th. The Baeksang Arts Awards secretariat announced the nominees lists for the TV, film, theater, and musical categories on its official website over the past year.
'The Man Who Lives with the King' Breaks 16.28 Million Admissions, Surpasses 'Extreme Job' to Take #2 in All-Time Box Office—Will It Challenge 'Roaring Currents,' #1?

'The Man Who Lives with the King' Breaks 16.28 Million Admissions, Surpasses 'Extreme Job' to Take #2 in All-Time Box Office—Will It Challenge 'Roaring Currents,' #1?

Cumulative ticket sales have already claimed the top spot, and on the 67th day since release, it’s reshaping Korea’s all-time top box-office lineup as part of the “Big 3”!
'The Man Who Lives with the King,' Surpassing 'Extreme Job' Records. . . Takes #2 in All-Time Box Office'The Man Who Lives with the King' surpasses 16. 28 million cumulative viewers, claiming second place on Korea’s all-time box office rankings.
Korea-Japan Comedy Heavyweights Unite… MetaComedy × Yoshimoto Kogyo Joint Performance

Korea-Japan Comedy Heavyweights Unite… MetaComedy × Yoshimoto Kogyo Joint Performance

MetaComedy from Korea and Japan’s Yoshimoto Kogyo will hold a joint show at Sogang University on the 10th of next month.
'MetaComedy' X 'Yoshimoto Kogyo', Laughter Without Borders… Launching a New Chapter in Korea-Japan ComedyWhen two major comedy powerhouses representing Korea and Japan come together, they will put on a historic stage that breaks down barriers between language and culture.
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.