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Hong Sang-soo, Kim Min-hee reunite in 'No Place to Put One's Eyes' after 10 years; film opens next month

Hong Sang-soo, Kim Min-hee reunite in 'No Place to Put One's Eyes' after 10 years; film opens next month

Hong's 35th feature won three awards at the 79th Locarno Film Festival, while Choi Myung-gil joins his film world for the first time
Locarno-recognized artistry unfolds in Jeju on a journey 10 years in the making Director Hong Sang-soo's 35th feature, 'No Place to Put One's Eyes,' starring Kim Min-hee, who also serves as the film's production manager, will open in South Korea on the 21st of next month.
| James choi
ENA Unveils Teasers for Ahn Pan-seok’s Final Drama Starring Chu Yeong-woo, Kim So-hyun

ENA Unveils Teasers for Ahn Pan-seok’s Final Drama Starring Chu Yeong-woo, Kim So-hyun

The drama is director Ahn Pan-seok’s posthumous final work following his death last month; written by Min Hyo-jung, it teases a coming-of-age romance set in a robotics lab.
ENA on the 1st released two mood teaser videos for its new Monday-Tuesday drama 〈Love Doctor〉, starring Chu Yeong-woo and Kim So-hyun, ahead of its Oct. 5 premiere. 〈Love Doctor〉 tells the story of Park Min-jae (Chu Yeong-woo), a doctoral student who was a high school swimmer but lost one leg to...
| Kim Ji-yeon
TWS to debut Korean-language “SODA SODA” performance on “M Countdown” Sept. 3

TWS to debut Korean-language “SODA SODA” performance on “M Countdown” Sept. 3

TWS will appear on Mnet 〈M Countdown〉 on Sept. 3 to perform the Korean version of its Japanese second single’s title track for the first time A surprise gift for global fans, following the song’s historic run as the first K-pop track of the year to top Billboard Japan’s “Hot 100” The group continues its wide-ranging activities at home and abroad, including the release of a new performance film and a Japanese arena tour
TWS has prepared a special gift for 42, the group’s fandom. According to agency PLEDIS Entertainment on Aug. 28, TWS will appear on Mnet 〈M Countdown〉, airing Sept. 3, to perform the Korean version of “SODA SODA,” the title track from its second Japanese single, for the first time.
| Seongchan Eol
[Kim Ji-yeon’s Jewel Box] From raw terror to weighty warmth, Kim Young-sung of 〈Gyeongju Trip〉, 〈Salmokji〉 and 〈Big Sleep〉

[Kim Ji-yeon’s Jewel Box] From raw terror to weighty warmth, Kim Young-sung of 〈Gyeongju Trip〉, 〈Salmokji〉 and 〈Big Sleep〉

A columnist curious about people — even actors already on the radar may be living their least famous day right now. "Kim Ji-yeon’s Jewel Box" introduces performers who keep reaching new highs; think of it as a tip to "buy low" on these rising stocks.
Do you remember the character who complained the whole time and was the first to be found cold and dead in one of the standout horror films of the first half of the year, 〈Salmokji〉 (2025)? Song Kyung-tae, the representative of a veteran Road View filming company, played by Kim Young-sung, is...
| Kim Ji-yeon
MBC Drama 'A Bona Fide Killer' Tops Fifth-Week-of-July Buzz Rankings, Leads Its Time Slot

MBC Drama 'A Bona Fide Killer' Tops Fifth-Week-of-July Buzz Rankings, Leads Its Time Slot

Webtoon-based drama starring Gong Hyo-jin also tops aggregated OTT rankings
MBC's Friday-Saturday drama 〈A Bona Fide Killer〉 (Planning: Kwon Seong-chang; written by Kim Eun-hee; directed by Yoon Jong-ho and Kim Ji-hoon) has led both ratings and buzz indicators since its premiere, according to newly released July rankings.
| Kim Ji-yeon
First Reactions to 〈Sanyangdeul〉: Cineplay Editor's Rating

First Reactions to 〈Sanyangdeul〉: Cineplay Editor's Rating

[First reactions at the press screening]〈Sanyangdeul〉, a wilderness adventure about four solitary girls who build a refuge of their own and embark on a small-animal rescue mission, opens July 29. Cineplay Editor Joo Sung-chul reviewed the film after its press screening.
| Joo Seong-cheol
Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Entering the competitive section of the 77th Locarno International Film Festival, it marks the director’s fifth invitation overall The festival hailed Hong as a “great master of our time,” in a series of praises Starring Kim Min-hee, Choi Myeong-gil, Kwon Hae-hyo, and others; after its Swiss premiere screening, a domestic release is planned for the second half of the year
A new film by director Hong Sang-soo has been invited to the Locarno Film Festival. Director Hong Sang-soo’s 35th feature film, 〈No Place for Eyes〉, announced on July 10 that it will be invited to the Locarno Film Festival’s competitive section.
| Seongchan Eol
'R&B Pop Star' Khalid Locks In Korea Comeback Concert on Dec. 8-Year Wait... 기대 안효섭 협업곡

'R&B Pop Star' Khalid Locks In Korea Comeback Concert on Dec. 8-Year Wait... 기대 안효섭 협업곡

Khalid to Hold a Solo Concert at KINTEX on Dec. 5
An R&B king who dominates the pulse of the era brings a masterful stage to quench an 8-year thirst Khalid, 'Khalid', who reshaped the global R&B pop landscape, finally steps onto Korean soil. After an agonizing wait of eight years since his first Korea appearance in 2018, the show is drawing...
| James choi
Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

“I Love You” syndrome’s leading figure Chae Jong-hyeop meets Japan’s top star Kanna Hashimoto. The new drama “Vacation Law” will be released on Netflix on the 31st.
A cross-border visual shock: A mystery romance to be completed by “Hyoksama” and “Thousand-Year Idol” Actor “Chae Jong-hyeop,” who sparked an unprecedented syndrome across the Japanese archipelago, is once again aiming directly at the hearts of fans throughout Asia.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol