Search results for "2-Roles"

Government Support Caps Actor Pay at 10% for Mid-Budget Films

Government Support Caps Actor Pay at 10% for Mid-Budget Films

Ministry of Culture, Sports and Tourism and major agencies sign a partnership deal, launching a recovery push for South Korea’s film ecosystem with a new actor-pay ceiling
Rescue operation for sinking K-movie: '10% actor-pay rule' gets underwaySouth Korea’s film ecosystem is seeking a dramatic turnaround at the edge of a cliff. To save Chungmuro from a crisis brought on by skyrocketing production costs, the government, major management companies and producers finally...
'SNL Korea' in Demand: Lee Soo-ji Undergoes Vocal Cord Nodule Surgery—Will Broadcast Schedule Be Affected?

'SNL Korea' in Demand: Lee Soo-ji Undergoes Vocal Cord Nodule Surgery—Will Broadcast Schedule Be Affected?

The star of 'A Thousand Faces,' returning stronger after a beat—ready to come back with more toughness!
After a Pause, 'A Thousand Faces'—A Return Poised to Be Even StrongerComedian 'Lee Soo-ji' (41), who has captivated the public with her unmatched ability to pull off characters, takes a moment to catch her breath.
Disney+’s “A Shop for Killers” Season 2 Opens Immersive Pop-Up Store “Murderhelpp Gangnam”

Disney+’s “A Shop for Killers” Season 2 Opens Immersive Pop-Up Store “Murderhelpp Gangnam”

Ahead of the release of Season 2, the immersive pop-up opens for fans in the Seoul Gangnam District starting July 10 Perfectly recreating the secret “murderhelp” shopping mall that takes over the roles of Lee Dong-wook and Kim Hye-jun, with mission spaces including an armory Operated exclusively for adult viewers ages 19 and older, with a treat for all five senses promised not only for existing subscribers but also for newly arriving fans
〈A Shop for Killers Season 2〉 built excitement by opening an immersive pop-up ahead of its release. 〈A Shop for Killers Season 2〉 will meet viewers by opening “Murderhelpp Gangnam” in Seoul’s Gangnam District starting July 10.
Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Top-star couple Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won) face a breakup after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly appears, then—eight years later—get pulled into a shocking incident as they risk everything to save Dong-ju.
The movie ‘Bikwang’ is the heartfelt family chronicle directed by Lee Ji-won, in which Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won)—a top-star couple—split up after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly shows up, and then eight years later, Dong-ju becomes entangled in a shocking...
'Rookie Employee Chairman Kang' ends with a glorious reverse sweep at 13.6%... Lee Jun-young pulls off a surprise soul switch with Ryujin

'Rookie Employee Chairman Kang' ends with a glorious reverse sweep at 13.6%... Lee Jun-young pulls off a surprise soul switch with Ryujin

After climbing from a 3.7% viewership rating to 13.6%, 'Rookie Employee Chairman Kang' wrapped up its run with a satisfying revenge and a shocking second soul-switch ending that delivered a perfect finish.
From 3. 7% to 13. 6%, the completion of a 'reverse-sweep miracle'JTBC weekend drama 'Rookie Employee Chairman Kang' ended its long run with a remarkable upward viewership trajectory. According to Nielsen Korea, the final episode (Episode 12) aired the previous day posted a 13.
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...