Search results for "Dream to You"

※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.

A yellow rebellion that swept through 1920s Hollywood, rewriting screen historyThe ‘Minions’ series, which has built up an astonishing $2 billion worldwide box-office cumulative haul (about 346 billion won), will take over domestic theaters on the 15th with its third masterpiece, ‘Minions &...

The live-action film 〈Look Back〉 , directed and written by acclaimed Japanese filmmaker Hirokazu Kore-eda, will open in South Korea this October. Megabox JoongAng Co. , Ltd. , the importer and distributor, announced the release and unveiled a teaser trailer on Sept. 7.

The banner of Financial Patriotism for a Flourishing Nation—Tracing 44 Years of Tracks“I will take part directly in modernizing the homeland.” Forty-four years ago, the weighty declaration thrown by the late Lee Hee-geon, the founder of Shinhan Bank, became the huge root of Shinhan Financial Group,...

A global syndrome on a roll—the miracle of 200 million views turned into a movieMega monster rookie ‘BabyMonster’ has shaken up the YouTube ecosystem once again. On the 5th, YG Entertainment officially announced that their ‘PSYCHO ’ music video has easily surpassed 200 million views.

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...