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[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Held at the Mitsui Hall in Nihonbashi, Tokyo, with a top-tier local band session including producer One OK Rock From original hit songs to a popular K-drama OST medley, plus a special J-pop cover stage, the set list was packed She actively communicated with local fans in Japanese she prepared herself, sending a clear signal of her successful push into the global market
Kwon Jin-ah’s debut Japan solo concert showcased her live capabilities on the local stage and opened a new chapter for her global activities.Live synergy forged with Japan’s top-tier local band session Kwon Jin-ah held her first solo show in Japan, “2026 Kwon Jin-ah First Concert in Japan,” at...
| Seongchan Eol
god, Everland’s Sky-Blue “Debut 10,000th Day” Theme Park Project Concludes

god, Everland’s Sky-Blue “Debut 10,000th Day” Theme Park Project Concludes

A “Sky-Blue Balloon Week” runs for four days starting on the 28th, marking the first K-pop case of artist IP and a theme park combined From a Howoo concert to a four-member fan concert and Kim Tae-woo busking, the event features a wide lineup of live and hands-on content With top-tier guest support from Park Jin-young and PSY—and a promise to donate the proceeds—the group “people’s favorites” proves its staying power
K-pop’s “people’s group” god celebrated its 10,000th day since debut by throwing a festival with fans at a theme park and marking the long journey of its companionship.A large-scale celebration that links artist IP with a theme park Members Park Joon-hyung, Yoon Kyе-sang, Deniel , Son Ho-young, and...
| Seongchan Eol
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2. ​Unlike how she appears—bright-minded and bold in taking on challenges—what I heard is that the reason she started acting in the first place was a process meant to heal her fear.
| 이화정
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young