Search results for "casting"

The love story of a couple facing terminal illness has long been a typical theme in Korean melodramas. From to , , and , numerous works have utilized this setup. Due to its frequent use, some have come to see it as a cliché.

Actor Park Ji-hoon will appear before viewers in the role of the 'Legendary Cook' responsible for military meals. Tving announced on the 7th the main casting for the new series set to be released next year. It revealed that Park Ji-hoon, along with Yoon Kyung-ho, Han Dong-hee, and Lee Hong-nae,...

has confirmed the casting of Park Ji-hoon, Yoon Kyung-ho, Han Dong-hee, and Lee Hong-nae. The Tving original series (written by Choi Yong, directed by Jo Nam-hyung, produced by Studio Dragon, Studio N, provided by Tving), set to premiere next year, is a 'military meal comedy' drama where a cook...

Countless media, countless works. In an industry that has become homogenized and amidst a flood of new releases, it is not easy to encounter a work that gives the feeling of 'this could be it' at first glance. There are few trailers that can catch the eye with excellent visuals, a glamorous cast,...

Actress Daisy Edgar-Jones will star as the protagonist Elinor Dashwood in the film adaptation of Jane Austen's masterpiece 「Sense and Sensibility」 in the remake of . This project is a collaboration between Focus Features and Working Title Films, who previously brought successful adaptations of...

There are rules in the square that must be absolutely followed. The moment those rules are broken, blood and desire intertwine in the square. Eleven years ago, Nam Gi-jun left the square after severing his Achilles' heel, but he returns when the rules are broken by his brother's death.

It's surprising. The fact that the next work of the director of (2012), (2014), and (2022) is such a stylish mystery series. The Disney+ series is like 'curry that tastes like black bean sauce' as described in the drama.

The response to the movie , which was released on the 30th of last month, is unusual. It recorded the number one spot at the box office during its first weekend and surpassed 400,000 cumulative viewers in just three days after its release.

Korean animation has long been trapped in the frame of being ‘for children’. While there was technical skill, the industrial base was weak, and public expectations were not high. However, the situation has changed in recent years.

Kawai Yumi met director Yamanaka Yoko during her high school years and handed her a letter saying, "To become an actress, please include me in your casting list someday. " Six years later, the two met as director and lead actress in the film and stood together on the Cannes Film Festival stage.