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Search results for "Jeon Young"

Dopamine·Adrenaline Explosion☆ 〈Squid Game 3〉 Best Moments

Dopamine·Adrenaline Explosion☆ 〈Squid Game 3〉 Best Moments

Undoubtedly the biggest event of the 2020s, wrapped up a chapter with the release of Season 3 on June 27. While it’s a globally popular work, it can’t be said to be truly over, but at least the journey of Seong Gi-hun (Lee Jung-jae) has certainly reached a conclusion.
| Seongchan Eol
The Pure Essence of Joo Hyun-young Haha #TrainToBusan #HorrorMovie #Choi Bo-min

The Pure Essence of Joo Hyun-young Haha #TrainToBusan #HorrorMovie #Choi Bo-min

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| Oh Han-joo
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

Philippe Bober, producer of 〈Triangle of Sadness〉 and 〈The Square〉, joins as co-producer
Park Se-young's new film 〈The Fin〉, from the director of 〈The Fifth Thoracic Vertebra〉, has set a July 22 release in South Korea and unveiled its main poster. 〈The Fin〉 is a dystopian art-house science-fiction film set in a near-future, unified Republic of Korea where genetically mutated "Omega"...
| Kim Ji-yeon
Jung I-seo plays Heo Jun-ho's daughter in Netflix's 'Notes from the Last Row'

Jung I-seo plays Heo Jun-ho's daughter in Netflix's 'Notes from the Last Row'

Co-starring with Choi Min-sik and Choi Hyun-wook, she brings a cold, commanding presence
Jung I-seo plays a mysterious figure in Netflix's 〈Notes from the Last Row〉, adding a cold edge to the suspense drama.The suspense drama follows failed writer and Korean literature professor Heo Mun-oh (Choi Min-sik) after he discovers the genius of Lee Kang (Choi Hyun-wook), a student who sits in...
| Kim Ji-yeon
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
| Seongchan Eol
Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

※ This interview with Gong Myung, star of 〈Husbands〉, continues from Part 1. The animal clinic van got a lot of laughs in the film. What was your first impression when you saw the clinic van. Also, the van’s drift action was striking—how did you prepare for that. It was so adorable.
| Kim Ji-yeon
[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

Kim Se-hoon and Gu Jeong-a will receive the “Lee Choon-yeon Film Award,” and a “FIPRESCI Award for International Film Critics” will also be introduced (FIPRESCI Award).
Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .
| Joo Seong-cheol