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Jin Seon-kyu and Gong Myung to Launch “Husbands” Rescue Operation in Trailer Reveal

Jin Seon-kyu and Gong Myung to Launch “Husbands” Rescue Operation in Trailer Reveal

An Netflix original comedy action film featuring a former and current husband who team up to save a kidnapped wife Reunites “Extreme Job” star couple Jin Seon-kyu and Gong Myung, delivering an unpredictable, perfectly matched comedic chemistry Directed by Park Gyu-tae of “Six Flying Dragons,” with Kang Han-na, Kim Ji-seok, and others joining the cast; set for Netflix exclusive release on June 19
Jin Seon-kyu and Gong Myung revealed the 〈Husbands〉 teaser trailer and poster.Netflix original 〈Husbands〉 is a comedy action film that depicts a do-or-die rescue operation as a former husband and a current husband, who end up teaming up by accident, set out to rescue their wife who has been...
| Seongchan Eol
[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.
We live in an era where influencers rise and fall every day. The dramatic advancement of social media and live-streaming platforms has brought us to a point where audiences can choose the stars they want, rather than being handed manufactured celebrities.
| Seongchan Eol
Yeon Sang-ho-Style Zombie Film Makes Another Leap, ‘Colony’ — Brief Review and What They Had to Say (feat. Koo Kyo-hwan's Zombie Greeting)

Yeon Sang-ho-Style Zombie Film Makes Another Leap, ‘Colony’ — Brief Review and What They Had to Say (feat. Koo Kyo-hwan's Zombie Greeting)

Yeon Sang-ho has once again led the evolution of zombie cinema. The film 〈Colony〉 finished its screening at the recent Cannes Film Festival and met with Korean reporters on May 20 ahead of its May 21 release. 〈Colony〉, which depicts events after biologist Seo Young-cheol injects himself with a...
| Seongchan Eol
Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Male Actor Award went to Yoo Hae-jin (Film) and Hyun Bin (Series), and the Female Actor Award went to Seo Soo-bin (Film) and Im Soo-jung (Series).
‘The 24th Directors Cut Awards,’ which Korean film directors select and present themselves, was held in grand style at Edeuls on May 19 at 6:00 p. m. , hosted by directors Jang Hang-jun, Bong Man-dae, and Kim Cho-hee.
| Joo Seong-cheol
IU and Byeon Woo-seok Apologize Together Over Controversy of Historical Distortion in “The Grand Lady of the 21st Century” (Full Text)

IU and Byeon Woo-seok Apologize Together Over Controversy of Historical Distortion in “The Grand Lady of the 21st Century” (Full Text)

Due to inadequate research and controversy over historical distortion in the drama “The Grand Lady of the 21st Century,” both lead actors apologized via their personal SNS accounts IU: “I’m ashamed of myself for not reading the script carefully and studying with enough thought,” Byeon Woo-seok: “I lacked consideration for the historical context” With a promise from the production team to make prior VOD revisions, the lead actors recognized the heavy responsibility as main performers and bowed their heads side by side
〈The Grand Lady of the 21st Century〉’s royal couple delivered an apology to viewers, expressing their regret. Controversy Over Historical Fact-Checking and IU’s Personal Reflection The drama 〈The Grand Lady of the 21st Century〉 ended on May 16.
| Seongchan Eol
'21st Century Grand Prince’s Wife' Wraps Amid Historical Distortion Controversy…IU’s Tearful Apology and the Production Team’s VOD Corrections

'21st Century Grand Prince’s Wife' Wraps Amid Historical Distortion Controversy…IU’s Tearful Apology and the Production Team’s VOD Corrections

Controversy over historical verification errors in the drama '21st Century Grand Prince’s Wife', including the use of the 'Cheonse' term for the king’s enthronement ceremony and Chinese-style tea-serving etiquette Lead actress IU apologizes in tears at a special group viewing event marking the finale, saying, "I’m sorry for showing an insufficient side—I will accept your criticisms." The production team acknowledges shortcomings in historical research and issues an official apology…"We will promptly update the audio and subtitles for re-runs and VOD."
The drama '21st Century Grand Prince’s Wife' wrapped up amid controversies over the main actors’ acting, errors in historical verification, and allegations of distortion, with IU—who played the role of Seong Hee-ju, the female lead—bowing her head in acknowledgment.
| Seongchan Eol
Disney+ Global Hit

Disney+ Global Hit "Moving Season 2" Cranks Up…Original Cast X Seol Kyung-gu Joins

A sequel to the same-titled webtoon by Kang Full, a blockbuster that recorded worldwide success A large-scale lineup joins the existing cast, including Seol Kyung-gu, Lee Hee-jun, and No Yoon-seo. Instead of Lee Jung-ha, who stepped down, rookie Won Gyu-bin is brought in Winning the honor of topping Hulu’s most-watched charts in its first week in the U.S. and earning a Critics Choice Awards nomination—human-action momentum continues
〈Moving Season 2〉 has started cranking up, kicking off full-scale production. A Return of the Korean-Style Hero Genre That Took the World by Storm Disney+ original series 〈Moving〉 adapts the webtoon of the same name by author Kang Full, telling the story of people who possess extraordinary abilities.
| Seongchan Eol
[Photo&] Yeon Sang-ho’s New Work ‘Swarm’ Earns High Praise at Cannes…The Joy of Cannes, the Return of a Master, and Park Chan-wook’s Embrace, Birth of an ‘Evolved Zombie’

[Photo&] Yeon Sang-ho’s New Work ‘Swarm’ Earns High Praise at Cannes…The Joy of Cannes, the Return of a Master, and Park Chan-wook’s Embrace, Birth of an ‘Evolved Zombie’

‘Swarm,’ Yeon Sang-ho’s new film that heated up the Cannes Film Festival. An evolutionary zombie creature that combines AI and collective intelligence, starring Jun Ji-hyun and Ji Chang-wook
[A Master’s Return That Captivated Global Film Circles]‘Train to Busan’ after 10 years, South Korea’s genre-master ‘Yeon Sang-ho’ has once again placed himself at the center of the worldwide film scene with his new work ‘Swarm’.
| James choi
Lee Jung-eun Becomes a Late-Blooming College Student…Stars in KBS Weekend Drama

Lee Jung-eun Becomes a Late-Blooming College Student…Stars in KBS Weekend Drama "School Looked Like This"

After Reuniting with Writer Yang Heeseung in 6 Years, She Transforms into a Zealous, Overbearing Mom and Goes Looking for Viewers.
' Lee Jung-eun ', Returning After 6 Years… The Dominant Presence That Guarantees Hit Weekend Drama SuccessKorea's leading acting powerhouse, 'Lee Jung-eun', joins hands with 'Yang Heeseung' once again, making a dazzling comeback to KBS 2TV's weekend prime-time home audience after six years.
| James choi
Netflix Effect! From Life Beyond the Screen to Culture and the Economy… $325 Billion in Value for the Global Economy!

Netflix Effect! From Life Beyond the Screen to Culture and the Economy… $325 Billion in Value for the Global Economy!

Netflix has released the “Netflix Effect,” highlighting the impact its content has had on industries worldwide over the past 10 years—from viewers’ everyday lives to the creative ecosystem.
Netflix has released the “Netflix Effect,” spotlighting the economic, cultural, and social impact its content has had worldwide over the past 10 years—from viewers’ daily lives to the creative ecosystem, local communities, and the broader industries.
| Joo Seong-cheol