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Search results for "praise"

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

The film explores identity and belonging issues facing Asian American teenagers in the U.S. in the format of a genre movie, winning praise A standout from the 2025 SXSW Film Festival featuring Shirley Chen and McKenna Grace delivers an overwhelming sense of immersion Set to land in living rooms in June 2026 through major VOD platforms including the three IPTV providers and Studio Choiсe
I Want To Be Blonde, which combined teen film and body horror and won over audiences, meets Korean viewers on VOD.The film 〈I Want To Be Blonde〉 follows Joann Huang, a Chinese American high school student who lives feeling alienated in American society, and drew major attention after its debut at...
| Seongchan Eol
[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
| Kim Ji-yeon
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
| Chua-young
3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

A genre balance that combines a uniquely built setting rooted in a prison with social satire, melding violence and black comedy to draw intense attention from overseas genre fans.
Barunson E&A (CEO Choi Yoon-hee, and Moon Yang-kwon) co-produced the Indonesian genre film 〈Ghost in the Cell〉 with Indonesia’s leading director Joko Anwar’s production company Come And See Pictures, and handled overseas sales.
| Joo Seong-cheol
[Photo&] Akmu caps ‘Buminla’ finale… in the heart of the city, 펼쳤 the ‘Paradise of Rumor’ live

[Photo&] Akmu caps ‘Buminla’ finale… in the heart of the city, 펼쳤 the ‘Paradise of Rumor’ live

‘Buminla 2026’ headliner takes the stage after moving the venue to the Culture and Arts Reserve Base. A live set that wraps in new music and hit songs brings healing to spring nights.
A ‘Paradise of Rumor’ that overtook the city at night — Akmu’s returnAn enormous oasis bearing the name ‘Akmu ’ unfolded across the harsh concrete. On the 31st, in Seoul’s Mapo District, ‘Culture and Arts Reserve Base’ was transformed into a musical utopia created by the sibling duo.
| James choi
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Choi Min-sik and Choi Hyun-wook’s Netflix “Notes from the Last Row” Set for Release on June 29 as Trailer Drops

Choi Min-sik and Choi Hyun-wook’s Netflix “Notes from the Last Row” Set for Release on June 29 as Trailer Drops

Directed by Kim Gyu-tae of “Our Blues,” the film depicts the intriguing connection between a Korean literature professor and his genius student Netflix announces May 29 as the release date, then releases a suspenseful teaser poster and trailer An overwhelming acting ensemble from Choi Min-sik and Choi Hyun-wook builds anticipation among global viewers
〈Notes from the Last Row〉, which drew attention for the pairing of Choi Min-sik and Choi Hyun-wook, has confirmed its release date and unveiled its trailer.The Netflix original series 〈Notes from the Last Row〉 follows the events that unfold when Heo Moon-oh (Choi Min-sik), a professor of Korean...
| Seongchan Eol
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young