Search results for "Director Lee Sang-min"

I am captivated by the music in movies. Music sometimes conveys the intimate emotions of characters that cannot be expressed through visible images and audible dialogues. It can also serve as a window into the hidden intentions of the creator. For me, understanding film music was one way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)

〈Our Name〉 depicts the story of two 'Young-hyun' with the same name, navigating friendship and competition towards the same goal but different destinations between youth and young adults.

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.

People fascinate me. Even for actors already in the spotlight, today may be the least famous they will ever be. ‘Kim Ji-yeon’s Treasure Box’ introduces actors whose careers keep reaching new heights. Consider this your chance to get in early.

The “One Day, One Master: Fall in Love Cinema” program will feature screenings of “200 Pounds Beauty” (2006), “The Contact” (1997) and “Shiri” (1999), along with appearances by the films’ directors and actors.

Filmmakers issue joint statement at the 31st Busan International Film Festival on Oct. 8, condemning outside pressure, including a Singapore letter sent Oct. 6, and threats to their personal safety

A special screening of the director’s cut, featuring 19 additional minutes, is set for the 13th at Cinematheque KOFA, with director Park Chan-wook and cinematographer Kim Woo-hyung in attendance