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Search results for "Lee Yu-han"

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
| Chua-young
Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Built in 1953 after the “Sekkipmei Fire,” the sprawling public housing complex known as “Mei Ho House” became the stage for 〈A Better Tomorrow〉.
Cineplay and House Travel teamed up for a Hong Kong movie tour, their fifth trip. The core theme of this tour was the meeting of Hong Kong’s past and present through film. From John Woo’s 〈A Better Tomorrow〉 (1990), set in 1960s Hong Kong and starring Tony Leung Chiu-wai, to 〈The King of Comedy〉...
| Joo Seong-cheol
Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.
| Joo Seong-cheol
[Photo &] Netflix No. 1 “Chamgyoyuk” director Hong Jong-chan interview: “Violence is fantasy—here’s hoping for an open public forum”

[Photo &] Netflix No. 1 “Chamgyoyuk” director Hong Jong-chan interview: “Violence is fantasy—here’s hoping for an open public forum”

On the third day after its release, Netflix’s “Chamgyoyuk” hits No. 1 globally. Director Hong Jong-chan draws a line amid controversy over glorifying corporal punishment, and lays out the real message the work is trying to send.
The global sensation sparked by daring retribution—handing the classroom a rod after it crossed the line‘Netflix’ original series ‘Chamgyoyuk’ has swept through media markets worldwide. In just three days after release, it notched a staggering feat: No.
| James choi
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
Hong Seok-cheon, Yoo Jeong-su, Park Chang-jin and Other Figures Take the Stage as ‘6th Pride Gala’ Wraps Up!

Hong Seok-cheon, Yoo Jeong-su, Park Chang-jin and Other Figures Take the Stage as ‘6th Pride Gala’ Wraps Up!

An event held to mark ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’ the day against international anti-LGBTQ hate.
The 6th Pride Gala, hosted by the nonprofit Singnaneun Center (Chairman Kim Jo-gwang-soo), was held with great success on May 22 at the Grand Ballroom of the FKI Hall in Yeouido, Seoul. At this event, held in commemoration of ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’...
| Joo Seong-cheol
Jin Seon-kyu and Gong Myung to Launch “Husbands” Rescue Operation in Trailer Reveal

Jin Seon-kyu and Gong Myung to Launch “Husbands” Rescue Operation in Trailer Reveal

An Netflix original comedy action film featuring a former and current husband who team up to save a kidnapped wife Reunites “Extreme Job” star couple Jin Seon-kyu and Gong Myung, delivering an unpredictable, perfectly matched comedic chemistry Directed by Park Gyu-tae of “Six Flying Dragons,” with Kang Han-na, Kim Ji-seok, and others joining the cast; set for Netflix exclusive release on June 19
Jin Seon-kyu and Gong Myung revealed the 〈Husbands〉 teaser trailer and poster.Netflix original 〈Husbands〉 is a comedy action film that depicts a do-or-die rescue operation as a former husband and a current husband, who end up teaming up by accident, set out to rescue their wife who has been...
| Seongchan Eol
Revisiting The Scam's Memorable Lines in the KOSPI 7,000 Era

Revisiting The Scam's Memorable Lines in the KOSPI 7,000 Era

The days when the word 'stock' would make you think of 'rice' or 'a bowl of rice' are over. Since the KOSPI crossed 7,000 on May 6, this is an era in which everyone invests in stocks rather than thinking of 'rice' or a meal.
| Seongchan Eol