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'Demon Slayer: Mugen Train: Infinity Arc' Breaks 9.1 Million Viewers and 1.207 Billion Won in Just 10 Days... Japan's Fastest 5 Billion Yen Record

'Demon Slayer: Mugen Train: Infinity Arc' Breaks 9.1 Million Viewers and 1.207 Billion Won in Just 10 Days... Japan's Fastest 5 Billion Yen Record

Faster Box Office Speed than Predecessor 'Mugen Train' with 'Akaza's Return' Phenomenon... 155-Minute Epic Rated PG12
The absolute powerhouse of the Japanese animation industry, 'Demon Slayer', is once again writing a box office myth. According to IT media IT Media on the 28th , 'Demon Slayer: Mugen Train Chapter 1 Akaza's Return' has recorded a staggering box office revenue of 12.
| 엔터플레이
Elden Ring DLC 'Shadow of the Golden Tree' Surpasses 10 Million Sales, A24 Film Adaptation + Switch 2 Release Confirmed

Elden Ring DLC 'Shadow of the Golden Tree' Surpasses 10 Million Sales, A24 Film Adaptation + Switch 2 Release Confirmed

Spin-off 'Ruler of the Night' Also Records 5 Million Sales, Directed by Alex Garland
The action RPG 'Elden Ring', which won the GOTY in 2022, is making history in the gaming industry once again. Bandai Namco Entertainment Korea announced on the 28th that the Elden Ring DLC 'Shadow of the Golden Tree' has surpassed 10 million in global cumulative sales.
| 엔터플레이
Gough Street in Sheung Wan, Hong Kong: Did Leslie Cheung and Tony Leung Ever Meet? CinePlay X Brick Travel Hong Kong Travelogue

Gough Street in Sheung Wan, Hong Kong: Did Leslie Cheung and Tony Leung Ever Meet? CinePlay X Brick Travel Hong Kong Travelogue

"What new year. Just living, you know. " Like the line from the Netflix drama that says, "Life goes on," this is a line uttered by Tony Leung's character, the 'Rogue Doctor' or 'Tsundere Doctor' in (1995), as he brushes off people asking him to join a New Year celebration. I really like this scene.
| Joo Seong-cheol
Netflix's First, Breaking Box Office Records... 5 Gem-like Korean Animation Recommendations

Netflix's First, Breaking Box Office Records... 5 Gem-like Korean Animation Recommendations

Korean animation has long been trapped in the frame of being ‘for children’. While there was technical skill, the industrial base was weak, and public expectations were not high. However, the situation has changed in recent years.
| Cineplay