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Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

Koo Cheon (Nam Joo-hyuk), who can move between the world of the ghoi(ghosts), and Saenggang (No Yoon-seo), a palace maid who keeps a secret, receive a summons from the king (Jo Seung-woo).
Netflix series 〈The East Palace〉 has released its main poster, main teaser trailer, and special posters, raising expectations further with the story of how Koo Cheon (Nam Joo-hyuk), who can move between the world of ghoi , and Saenggang (No Yoon-seo), a palace maid who keeps a secret, are summoned...
| Joo Seong-cheol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Back with a remake of a classic 1977 hit, after 10 years away… “I’ll show you a new side of Kim Gun-mo,” sharing an autobiographical confession
The return of a maestro after 10 years of silence, facing an acoustic guitarA living legend of South Korea’s pop music world, singer Kim Gun-mo is coming back to the public after an unusually long stretch of silence lasting 10 years. His agency, Geon-eum Planning, said that at 6 p. m.
| James choi
Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

“Wonderful World,” which logged a spot in the Netflix global top 10 for seven straight weeks, shares behind-the-scenes stories of Lim Ji-yeon and Heo Nam-jun’s perfect on-screen chemistry produced by the series staff
A Meeting of a Joseon-Era Villainess and a Modern-Day Tycoon, Writing a New Paradigm for K-RomanceThe SBS drama Wonderful World swept No. 1 in the Netflix non-English TV category, fully taking over living rooms at home and abroad.
| James choi
‘The Devil Wears Prada 2’ Sets July 29 Disney+ Premiere

‘The Devil Wears Prada 2’ Sets July 29 Disney+ Premiere

Meryl Streep, Anne Hathaway and other original stars return 20 years after the 2006 film; the sequel has grossed $678 million worldwide
〈The Devil Wears Prada 2〉 will premiere exclusively on Disney+ on July 29, Walt Disney Company Korea announced June 30. 〈The Devil Wears Prada 2〉 is the official follow-up, produced 20 years after the 2006 original.
| Kim Ji-yeon
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
“No Mercy” From LE SSERAFIM as Agency Moves Firmly Against Deepfakes and Cyber ‘N~~ck~s’

“No Mercy” From LE SSERAFIM as Agency Moves Firmly Against Deepfakes and Cyber ‘N~~ck~s’

Source Music applies a zero-tolerance policy to malicious content and deepfake crimes, saying, “There is absolutely no intention to reach a settlement.”
A Zero-Tolerance Stance, a Ruthless Blow Without Leniency. . . Source Music Steps In to Protect Artists’ Personal RightsIn the face of malicious digital crime that digs into the glamorous side of global K-pop, LE SSERAFIM has finally drawn its zero-tolerance sword.
| James choi
Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Netflix original series “The Boy at the Back Row” slams into the charts at the top, including in South Korea, Japan and Greece, on the FlixPatrol chart A gripping psychological suspense that targets viewers worldwide, as teacher Heomun-oh and genius engineering student Kang Lee’s attempt to chase creativity turns into an unrelenting standoff An undeniable performance synergy among trusted actors such as Jun Ho Heo, Yoon-jin Kim, Kyung Jin and Jeong-hee Moon, in starring roles by Choi Min-sik and Choi Hyun-woo
〈The Boy at the Back Row〉 has proven its global popularity and has emerged as a new breakout talking point.Within 3 days of release, it tops charts in 32 countries worldwide Netflix original series 〈The Boy at the Back Row〉 scored a quick win after its worldwide simultaneous release on June 26,...
| Seongchan Eol