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Search results for "Kim Ju-hwan"

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
| Joo Seong-cheol
Koo Kyo-hwan to Star in 'Buhwalnam: The Red,' Due in September

Koo Kyo-hwan to Star in 'Buhwalnam: The Red,' Due in September

Based on a webtoon, he plays Seok-hwan, a job seeker who returns to life 72 hours after death
Action film 〈Buhwalnam: The Red〉 will open in September, distributor Lotte Entertainment said July 28 as it unveiled a new poster. Lotte Entertainment said on July 28 that 〈Buhwalnam: The Red〉 is an action film about Seok-hwan (Koo Kyo-hwan), a job seeker whose only asset is unfounded confidence.
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
KBS·JTBC Ratings Tie at 3.4% as Spain Wins — ‘Dynamite’ by BTS Lights Up the Night

KBS·JTBC Ratings Tie at 3.4% as Spain Wins — ‘Dynamite’ by BTS Lights Up the Night

BTS Makes World Cup History with the First-Ever Halftime Show, While Jung Ho-yeon Heads to the Final as the Trophy Presenter for a 1-0 Match
At the broadcast booth of the ‘2026 International Federation of Association Football North America Cup’ final, which drew the attention of soccer fans around the world, ‘KBS’ and ‘JTBC’ staged a ratings showdown with not an inch to spare. The return of the invincible fleet, and a 3.
| James choi
‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

〈The Chaser〉(113,673 viewers), 〈Hwanghae〉(120,482 viewers), 〈The Wailing〉(310,042 viewers)—it is the highest opening score among filmmaker Na Hong-jin’s works to date.
With the movie 〈Hope〉 proving an unmistakable presence at this summer’s theaters, it drew 333,899 viewers on its first day of release to take the No. 1 spot at the box office. That makes it the highest opening score among Na Hong-jin’s works to date, surpassing 〈The Chaser〉(113,673 viewers),...
| Joo Seong-cheol
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Joo Seong-cheol
[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
| Kim Ji-yeon
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon