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Search results for "Short Form Drama"

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
| Yangsimoh
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

A rival setup of piano prodigies from an arts high school background. Song Kang’s comeback project and Lee Jun-young’s last work before enlisting
Fate of two prodigies crossing on the keys, tvN’s new weekend drama 'For Hands' makes a heavy entranceOn the screen, classic melodies and a thick wave of youthful pathos rush in. tvN’s eagerly anticipated new weekend drama 'For Hands' will home in on viewers’ living rooms at 9:10 p. m.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young
Inaugural Korea Short Drama Awards Names Five-Member Jury

Inaugural Korea Short Drama Awards Names Five-Member Jury

Co-hosted by Cineplay and the Korean Film Archive, the inaugural Korea Short Drama Awards carry a total prize pool of 20 million won. The five-member jury is chaired by Min Kyu-dong and also includes Korean Film Archive Director Mo Eun-young; Han Jung-soo, director and CEO of Yeondu Company; Kim Won-jin, director of MCA AI Creative Studio's Creative Headquarters; and actor Lee Yeon. The Archive has pledged archiving support for winners, and organizers say the awards aim to discover new creators and help the short-drama industry take a step forward.
The inaugural Korea Short Drama Awards, which carry a total prize pool of 20 million won, have named a five-member jury. Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive (Director Mo Eun-young) are co-hosting the first Korea Short Drama Awards.
| Seongchan Eol
‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

A joint production venture with ReelShort, a global platform boasting 70 million monthly active users… poised to take on the short-form space worldwide
A longtime tentpole heavyweight, 'Showbox', targets global short-form dominance with its 'ReelShort' audience of 70 millionThe investment and distribution company 'Showbox', which has built a track record of blockbuster K-content, has signaled a major shift in the global video content market.
| James choi
5.8 billion views’ Bebefinn teams up with Amazon to enter global long-form animation

5.8 billion views’ Bebefinn teams up with Amazon to enter global long-form animation

ThePinkfong Company partners with Amazon Kids Plus to debut the 18-episode musical animation Big Book of Bebefinn, aiming to leap into a global premium IP.
The evolution of K-content picked by global big tech, and a major co-production between thePinkfong Company and AmazonthePinkfong Company has signed an instant partnership with Amazon Kids Plus, Amazon’s children-only subscription platform.
| James choi