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[Chua-young's Music Box] The Aesthetics of Repetition and Variation in 'Asako' and the OST 'netemo sametemo'

[Chua-young's Music Box] The Aesthetics of Repetition and Variation in 'Asako' and the OST 'netemo sametemo'

I am captivated by the music in films. Music conveys the intimate emotions of characters that cannot always be expressed through visible images and audible dialogues. It can also serve as a window into the hidden intentions of the creator. For me, understanding film music was a way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)
Boys gather in groups and light firecrackers. The firecrackers soar into the sky with a bang, startling Asako , who ducks for cover. At this moment, music begins to play, blending with the montage of the city, infusing the film with vitality.
Barunson E&A Teams Up with Ryūsuke Hamaguchi’s Camp. Co-Production of the Korea-Japan Collaboration “I Hear You”!

Barunson E&A Teams Up with Ryūsuke Hamaguchi’s Camp. Co-Production of the Korea-Japan Collaboration “I Hear You”!

In Jeju Island, Haruka, a Japanese researcher collecting soundscapes, meets a young woman named Ayun of unknown identity and is forced to confront her late mother and her own past.
Barunson E&A (CEO Choi Yoon-hee, Moon Yang-kwon) will participate as a co-producer and in overseas sales for the Korea-Japan collaboration feature film 〈I Hear You〉 (English title: I Hear You) . Filming wrapped on April 29, and the film is currently in post-production.