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François Ozon’s ‘The Stranger’: Faithful Adaptation or Seductive Subversion?

François Ozon’s ‘The Stranger’: Faithful Adaptation or Seductive Subversion?

Albert Camus’ 「The Stranger」, long considered a near-untouchable text for filmmakers, returns to the screen in François Ozon’s bold adaptation — one that restores the colonial Algerian context the novel left at the margins. “Mother died today. Or maybe yesterday.
François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

The film gives a narrative to the unnamed Arab’s sister, expands Marie’s role and captures Algeria’s sun in black and white; opening Sept. 30
122 minutes of striking black-and-white aesthetics, opening in theaters on Sept. 30 Albert Camus’ literary masterpiece, “The Stranger,” is indelibly associated with its stunning opening line: “Mother died today. Or maybe yesterday.