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Search results for "François Ozon"

François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

François Ozon’s “The Stranger” Flips Camus Classic 80 Years Later—No Opening Line?

The film gives a narrative to the unnamed Arab’s sister, expands Marie’s role and captures Algeria’s sun in black and white; opening Sept. 30
122 minutes of striking black-and-white aesthetics, opening in theaters on Sept. 30 Albert Camus’ literary masterpiece, “The Stranger,” is indelibly associated with its stunning opening line: “Mother died today. Or maybe yesterday.
| James choi
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi