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Search results for "New Line Cinema"

[Photo &] 237 Films Set to Hit the Screen — Jeonju International Film Festival Confirms Opening Film ‘My Private Artist’

[Photo &] 237 Films Set to Hit the Screen — Jeonju International Film Festival Confirms Opening Film ‘My Private Artist’

Opening April 29 for 10 days: 237 invited films from 54 countries. From the opening film by Kent Jones to an Ahn Sung-ki memorial special screening—an impressive lineup
‘Jeonju International Film Festival’ Kicks Off a Grand Lineup of 237 Boundary-Breaking Films‘Jeonju International Film Festival’’s organizing committee held a press conference at CGV Yongsan I-Park Mall in Yongsan-gu, Seoul on the 31st to unveil this year’s operating direction and key film lineup.
| James choi
'Weapons' August Horror Movie Monday Sets New U.S. Box Office Record with $5.2 Million

'Weapons' August Horror Movie Monday Sets New U.S. Box Office Record with $5.2 Million

Director Jack Kreger's New Work Opens with $43.5 Million in the First Weekend of August...Emerging as a Key Topic of the Summer Season
New Line Cinema's horror film 'Weapons' has set a new box office record for August horror movie Mondays, emerging as a key topic of the summer season. Directed by Jack Kreger, this film recorded $5. 2 million in a single Monday, achieving the highest revenue ever for an August horror movie Monday.
| 엔터플레이
[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

AI films are Bucheon’s main focus. For the 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, hereinafter BIFAN), “Bucheon AI Contents Summit” (Bucheon AI Contents Summit) will be introduced for the first time this July, positioning itself as a venue for...
| Joo Seong-cheol
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stoppedCan growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
| James choi
[New Film] Cannes Opener “Live One Day” Features Celine Dion’s Beloved Songs in a Musical

[New Film] Cannes Opener “Live One Day” Features Celine Dion’s Beloved Songs in a Musical

A love triangle tied to a star chef’s return to her hometown. The opener of the 78th Cannes Film Festival blends French classics with a playful narrative
French musical evolution that captures both taste and hearingThe unexpected homecoming of a star chef has been reborn on screen as a captivating new variation. The French musical film ‘Live One Day’ breaks away from the rules of a typical romantic comedy, throwing an original aesthetic—where food...
| James choi
Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Instead of streaming straight to OTT, it holds onto theater screenings through year-end—kicking off the “Slow Cinema” movement built to share breath with audiences
In an era dominated by exclusive screen access, independent films have launched an all-out counterattack for survival. A nationwide audience coalition project aimed at reclaiming what theaters are for and protecting the value of long-run screenings, the “Slow Cinema” movement, has opened its...
| James choi
Overwhelms With 8 Times the Views… Netflix’s “Chamgyoyuk” Seizes Global No. 1 for a Second Straight Week

Overwhelms With 8 Times the Views… Netflix’s “Chamgyoyuk” Seizes Global No. 1 for a Second Straight Week

Starring Kim Mu-yeol, “Chamgyoyuk” hits viewers across 91 countries and holds the top spot for the second consecutive week, as a surge in K-content hits hard, including the AI film “Mid-dle-world.”
An Extrajudicial Bludgeon Against a Tyrannical Classroom, and the Sociology of the Catharsis Taking the World by StormThe collapse of public education in modern society is not a problem unique to South Korea. The decline of teacher authority and classrooms that are out of control have become signs...
| James choi
[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.
| 이화정
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
| 이화정
‘Backrooms’ Reaps 20 Times Its Budget in Profit, Surpasses 1 Million in South Korea—First Record in 7 Years for Foreign-Language Horror

‘Backrooms’ Reaps 20 Times Its Budget in Profit, Surpasses 1 Million in South Korea—First Record in 7 Years for Foreign-Language Horror

The film 'Backrooms', which began as a YouTube urban legend, rides word of mouth among the 1020 generation to pull in worldwide revenue of 370 billion won
A digital labyrinth summoned from the margins of memory, shattering the map of the screenThe primal fear of isolation and the unknown that lies hidden within modern people finally broke through the screen and swallowed up the crowds of reality.
| James choi