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[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
Is That a Goomba? Game-Based Films That Successfully Reinvented Themselves from Bywords for Flops

Is That a Goomba? Game-Based Films That Successfully Reinvented Themselves from Bywords for Flops

It feels like a lifetime has passed. Gone are the days when "video game adaptations" fought over 0.5 or 1-star ratings; now we live in an era where they can reliably deliver a decent average. Even Mario once went through a period when it was the epitome of a "worst movie," a reputation even fans...