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Netflix, Amazon and YouTube unite in Washington to fight exclusive U.S. sports rights rules

Netflix, Amazon and YouTube unite in Washington to fight exclusive U.S. sports rights rules

They co-found new lobbying group SACA to counter bipartisan efforts in Washington to limit sports monopolies
Unusual alliance forms as Congress pressures sports monopolies New Washington, D.C., lobbying group SACA co-founded on the 15th, with members emphasizing tailored services Netflix, Amazon and YouTube, three powerful platforms that dominate the global streaming market, have formed an unprecedented...
| James choi

"The Tragedy Behind the Screen"... 70% of Women in Japanese Broadcasting Industry Are in a Sexual Harassment Blind Spot

Asahi Shimbun Report... University of Tokyo Professor Team Releases Survey Results on Current and Former Broadcasters From Coercion of Sexual Relations to the Use of 'Entertainment Staff'... The Ugly Reality of Broadcasting Stations That Claim Public Interest 39 Victims Shockingly Confess "I Thought About Suicide"... The Issue of Sexual Exploitation in the Japanese Entertainment Industry Causes a Stir
The Japanese broadcasting industry is suffering from serious human rights violations and sexual crimes hidden behind its glamorous screen. A shocking survey result has emerged showing that 7 out of 10 female employees in broadcasting stations, which are supposed to uphold public interest, have...
| Yangsimoh
Ryeo-un, Seong Dong-il, Geum Sae-rok! 'Bloody Flower' Secures Broadcasting Rights in Multiple Countries!

Ryeo-un, Seong Dong-il, Geum Sae-rok! 'Bloody Flower' Secures Broadcasting Rights in Multiple Countries!

A mystery thriller that depicts the story of people surrounding a serial killer who has the ability to cure all incurable diseases.
The mystery thriller 〈Bloody Flower〉 was first unveiled at a recent domestic production presentation, drawing attention with its intense setting and the immersive performances of the actors, leading to a surge of inquiries from both domestic and global platforms as well as overseas distributors,...
| Joo Seong-cheol
JTBC Confirms Exclusive Broadcast of the 2026 Winter Olympics... Not Available on Major Networks

JTBC Confirms Exclusive Broadcast of the 2026 Winter Olympics... Not Available on Major Networks

Partnership with Naver for Online Broadcasting... Opening on February 6
JTBC will exclusively broadcast the 2026 Milan-Cortina Winter Olympics, which will open in February. On the 7th, the broadcaster officially announced that it will establish a broadcasting system in partnership with new media partner Naver.
| 김지민
Netflix Secures MLB Broadcasting Rights... Enters U.S. Professional Baseball Broadcasting Market with ESPN and NBC

Netflix Secures MLB Broadcasting Rights... Enters U.S. Professional Baseball Broadcasting Market with ESPN and NBC

Paying an average of $50 million annually over 3 years... Confirmed broadcasts for next year's opening game, Home Run Derby, etc.
The American online video service company Netflix has officially entered the U. S. Major League Baseball broadcasting market. The MLB office announced on the 20th that it has signed a broadcasting rights contract with Netflix, ESPN, and NBC for MLB in the U. S.
| Yangsimoh
TVING ends Apple TV alliance, shuts brand channel Nov. 23

TVING ends Apple TV alliance, shuts brand channel Nov. 23

TVING officially confirms the contract expiration through its customer service center on the 14th, with service ending at 4 p.m.
Homegrown OTT platform pursues "profitability," upgrading its platform through focus and discipline TVING, one of South Korea's leading online video services , is ending its strategic partnership with global giant Apple TV.
| James choi
Netflix Korea revenue tops 1 trillion won, surges 1.7-fold ... 81% of proceeds go to U.S. headquarters

Netflix Korea revenue tops 1 trillion won, surges 1.7-fold ... 81% of proceeds go to U.S. headquarters

Domestic operating profit reaches just 20.3 billion won, highlighting uneven revenue-sharing structure behind K-content's success
Global online video streaming giant 'Netflix' generated more than 1 trillion won in revenue in South Korea last year for the first time since entering the market. But 81% of that massive revenue was remitted to its U. S. headquarters, leaving the Korean entity with operating profit of just 20.
| James choi
'My Mister' writer Park Hae-young takes aim at zero-revenue contracts, demands end to buyout practice:

'My Mister' writer Park Hae-young takes aim at zero-revenue contracts, demands end to buyout practice: "Copyright law must change to ensure fair compensation"

Creators' Alliance, formed by six groups including the Korean Film Directors' Guild, urges passage of copyright amendment introduced on the 17th
The face of K-content stripped of copyrights: Buyout practices run counter to global standards The Korean Broadcasting Writers Association and the Korean Film Directors' Guild were among six groups that formed the Creators' Alliance, which held a news conference at the National Assembly on the 12th...
| James choi
Save the Children’s 12th Children’s Rights Film Festival goes outdoors for first time, builds on 370,000-viewer success

Save the Children’s 12th Children’s Rights Film Festival goes outdoors for first time, builds on 370,000-viewer success

Festival opens at Ichon Hangang Park on the 31st, with exclusive screening of director Yoon Dan-bi’s new film “Class 3-6 Graduation Video_V14”
What texture does the world have when seen through children’s eyes, in places beyond adults’ view. Save the Children, an international nongovernmental organization focused on children’s rights, is using film to raise serious questions for society.
| James choi
[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

[Photos] Lee Sang-yeob on battling the “end button” every time in short-form series; director Lee Byung-hun says he was “told off harshly” at BCWW 2026 conference

Quality production, creator rights and cutting production resources by 50% to 60% emerge as key topics
Lee Sang-yeob and Lee Byung-hun battle the short-form “X button,” cutting costs by 60% with AI BCWW 2026 conference presents behind-the-scenes stories from 70 productions and a transparent data-sharing model As the media ecosystem undergoes seismic shifts, established creators opened up about the...
| James choi