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'Demon Slayer: Kimetsu no Yaiba' X Director Lee Sang-il... Japan's Film Market Hits Record High of 2.5 Trillion Yen

'Demon Slayer: Kimetsu no Yaiba' X Director Lee Sang-il... Japan's Film Market Hits Record High of 2.5 Trillion Yen

Director Lee Sang-il's 'KOKUHO' Sets New Box Office Record for Live-Action Films in Japan After 22 Years
The Japanese film market achieved its highest box office revenue ever last year, thanks to the mega-hit animation 〈Demon Slayer: Kimetsu no Yaiba〉 and the film 〈KOKUHO〉 directed by Korean resident Lee Sang-il. According to the Japan Film Producers Association, the total box office revenue for...
| 김지민
Busan International Film Festival to world-premiere 3 new Korean drama series in 'On Screen'; new projects starring Shin Min-a and Son Suk-ku make global debuts

Busan International Film Festival to world-premiere 3 new Korean drama series in 'On Screen'; new projects starring Shin Min-a and Son Suk-ku make global debuts

The festival opens Oct. 6, with 'The Remarried Empress' and other titles set for 'On Screen,' plus nine additional commercial films confirmed for the lineup
K-content's triumphant return: A star-studded battle to light up screens worldwide The 31st Busan International Film Festival, which opens Oct. 6, has announced a powerhouse lineup poised to draw the attention of movie fans around the world.
| James choi
Yeon Sang-ho, Kore-eda to discuss at Toronto festival as ‘Paradise Lost’ returns for second straight year

Yeon Sang-ho, Kore-eda to discuss at Toronto festival as ‘Paradise Lost’ returns for second straight year

The two will attend TIFF Summit together on Sept. 14 to discuss IP adaptations and the global expansion of Asian cinema; ‘Paradise Lost’ and ‘Look Back’ are set for October releases in South Korea.
Two of the leading directors from South Korea and Japan will meet at North America’s largest film festival. Director 'Yeon Sang-ho', whose new film 'Paradise Lost' has been selected for the Special Presentations section of the 51st 'Toronto International Film Festival' for a second consecutive...
| James choi
‘Beautiful Early Evening Moon’ Japanese ultra-premium romance set to land in Korea in November!

‘Beautiful Early Evening Moon’ Japanese ultra-premium romance set to land in Korea in November!

A story of how a boy everyone calls “prince,” and a girl, through each other, finally learn what real love feels like.
This newly released 〈Beautiful Early Evening Moon〉 launch teaser opens with a cross-cut of Kohaku saying, “I don’t know things like love,” and Yoi saying, “Love like that doesn’t fit me.” Yoi draws everyone’s admiration with her neat looks and steadfast heart, but unlike that image—and unlike...
| Joo Seong-cheol
‘You Like Me’ Goes Global! ‘Wild Sing’ Confirmed for Worldwide Release on Netflix on July 31

‘You Like Me’ Goes Global! ‘Wild Sing’ Confirmed for Worldwide Release on Netflix on July 31

A bold transformation by Oh Jung-se as Sung-gon, the original “ear-tingling boyfriend” and the fated ballad prince, starring Kang Dong-won, Uhm Tae-gu, and Park Ji-hyun from the co-ed dance group ‘Triangle.’
With rapid-fire banter between standout characters and music and performances polished to a high level that filled theaters with laughter, the film 〈Wild Sing〉 will meet viewers around the world through Netflix on Friday, July 31.
| Joo Seong-cheol
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
Barunson E&A Teams Up with Ryūsuke Hamaguchi’s Camp. Co-Production of the Korea-Japan Collaboration “I Hear You”!

Barunson E&A Teams Up with Ryūsuke Hamaguchi’s Camp. Co-Production of the Korea-Japan Collaboration “I Hear You”!

In Jeju Island, Haruka, a Japanese researcher collecting soundscapes, meets a young woman named Ayun of unknown identity and is forced to confront her late mother and her own past.
Barunson E&A (CEO Choi Yoon-hee, Moon Yang-kwon) will participate as a co-producer and in overseas sales for the Korea-Japan collaboration feature film 〈I Hear You〉 (English title: I Hear You) . Filming wrapped on April 29, and the film is currently in post-production.
| Joo Seong-cheol
Hor-Com Is the New Rom-Com! A K-teen Film That Wipes Tears With Laughter — Review of 〈Gyosaeng Silsup〉 & Press Conference Snapshot

Hor-Com Is the New Rom-Com! A K-teen Film That Wipes Tears With Laughter — Review of 〈Gyosaeng Silsup〉 & Press Conference Snapshot

In K-teen films, there are no worries about students preparing for the college entrance exam. K-teen films remove shadows and present only sunshine and freshness. But are real Korean high school students like that. At 10 p. m.
| Kim Ji-yeon
[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

I get hooked on the music in the film. Music sometimes conveys intimate feelings a character can’t fully express through the visuals alone—or through the lines you hear. It can also serve as a window into the creator’s hidden intentions. For me, understanding film music was one way to connect with the movie. “Chua-Young’s Music Box” lets you listen more closely to the movie’s voice through music. (P.S. While listening to the music, I hope you’ll read the article.)
Following the first film, 〈Girls Band Cry: The Movie—Youth Rhapsody〉 (hereinafter 〈Youth Rhapsody〉), the sequel 〈Girls Band Cry: The Movie, Hey Our Future〉 was released in theaters on April 16. This theatrical release is a compilation film: while it faithfully follows the existing story, it adds...
| Chua-young