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Director Kim Myeon-woo’s “Rebirth” traces his father’s debt, wins 10 million won prize

Director Kim Myeon-woo’s “Rebirth” traces his father’s debt, wins 10 million won prize

Five films selected at 23rd EBS International Documentary Film Festival, including Grand Prize and Jury Special Awards
An artistic triumph drawn from a family’s debt, and the essence of documentary filmmaking The 23rd “EBS International Documentary Film Festival” has named “Rebirth” by director Kim Myeon-woo the year’s outstanding film, one that shook the documentary scene.
| James choi
‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

He climbed to the CEO chair at a major conglomerate chasing only success—but the next day, he loses everything, and rewinds back 20 years to his days as a new hire.
Popular Naver webtoon 〈Sang-namja〉 is being produced as a series. 〈Sang-namja〉 is an office time-rewind story about a man who rises to the CEO spot at a major conglomerate by pursuing nothing but success—only to lose everything overnight—then rewinds back 20 years to his new-hire days to carve out...
| Joo Seong-cheol
‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

The unpredictable aftershocks set in motion by their literature class! 〈The Last-Row Boy〉 will be released on Netflix on June 26.
A suspense drama 〈​The Last-Row Boy〉​ portrays the story of a failed writer and a professor of Korean literature, ‘Heo Moon-oh,’ who discovers the genius of ‘Lee Kang,’ the boy in the very last row of a classroom, and becomes fixated on his writing.
| Joo Seong-cheol
Lee Hwi-hyang and Kim Jung-tae on 《Family Trip》: ‘I Never Wanted Dementia Used as Just a Device’

Lee Hwi-hyang and Kim Jung-tae on 《Family Trip》: ‘I Never Wanted Dementia Used as Just a Device’

▶ 〈Family Trip〉 The interview with actress Lee Hwi-hyang and director Kim Jung-tae continues from Part 1. As a "family film," the relationship between the grandmother and her granddaughter is intriguing. The grandmother keeps trying to go outside because of dementia, while the granddaughter,...
| Joo Seong-cheol
11th Ulsan Ulju Mountain Film Festival Opens Today, Five-Day Program Features Eom Hong-gil, Ham Eun-jung

11th Ulsan Ulju Mountain Film Festival Opens Today, Five-Day Program Features Eom Hong-gil, Ham Eun-jung

Festival opens at the Yeongnam Alps with a green-carpet event on the 18th, bringing together global mountain-film masters from Slovenia and beyond
The 11th Ulsan Ulju Mountain Film Festival begins its five-day journey at the Yeongnam Alps with an opening ceremony on the 18th. The festival is set to showcase a remarkable lineup of leading figures from Korea and abroad, including mountaineering legend Eom Hong-gil and versatile actor Ham...
| James choi
EBS Documentary Series

EBS Documentary Series "Witness of the Era"... From 91-year-old Shin Goo and 99-year-old Nora No to Son Suk-hee, Kim Yoon-a, and Lee Se-dol — 12 masters in a weighty spotlight

Premiering Aug. 2, the series shines a light on 12 icons of pop-culture. Behind-the-scenes stories include Yoo Hae-jin’s “Shin Goo Scholarship” anecdotes
The views of 12 people who span the era, tracing turning points in pop culture EBS presents the documentary series “Witness of the Era. ” On its Aug. 2 premiere, actor Shin Goo is in the spotlight. On the Sept. 9 second broadcast, it will spotlight Nora No, a living legend of Korean fashion.
| James choi
'Beagle Light' 'Miss Baek' — Kim Si-ae Reunites With Director Lee Ji-won, Cast as a Suspect Girl

'Beagle Light' 'Miss Baek' — Kim Si-ae Reunites With Director Lee Ji-won, Cast as a Suspect Girl

Kim Si-ae left a strong impression as Kim Ji-eun, a child abuse victim, in director Lee Ji-won's previous work 〈Miss Baek〉.
The film ‘Beagle Light’ is director Lee Ji-won’s gripping family chronicle, in which the couple of top stars Joong-gu (Ryu Seung-ryong) and Nam-mi (Ha Ji-won) are thrown into a marital break after the sudden arrival of their daughter Dong-ju (Kim Si-ae), and then, eight years later, as Dong-ju gets...
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon