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Search results for "No. 1 at the Box Office"

Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

A mystery thriller tracing a protagonist who is gradually losing her eyesight due to a genetic disease, ‘The Eyes’ is maintaining its grip on No. 1 at the South Korean box office for a second straight week Word-of-mouth immediately after release helped push total admissions past 840,000, showcasing its staying power at summer theaters With a spot in the competitive category at the world’s largest genre film festival, the film proves both its artistic merit and mainstream appeal
〈The Eyes〉 rode the wind of strong momentum from a string of favorable developments. 〈The Eyes〉 is a South Korean film released on June 24. It tells the story of Shin Min-a as Seo Jin, who tracks the secrets behind the death of her suicidal younger sibling.
| Seongchan Eol
[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
| James choi
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

“Wonderful World,” which logged a spot in the Netflix global top 10 for seven straight weeks, shares behind-the-scenes stories of Lim Ji-yeon and Heo Nam-jun’s perfect on-screen chemistry produced by the series staff
A Meeting of a Joseon-Era Villainess and a Modern-Day Tycoon, Writing a New Paradigm for K-RomanceThe SBS drama Wonderful World swept No. 1 in the Netflix non-English TV category, fully taking over living rooms at home and abroad.
| James choi
[Box Office] Toy Story 5 Surges Past 1.6 Million Admissions…Shin Mina’s Eye Drops to No. 2

[Box Office] Toy Story 5 Surges Past 1.6 Million Admissions…Shin Mina’s Eye Drops to No. 2

' Toy Story 5' Opens the Prelude to a Long Reign at the Box OfficeDisney and Pixar’s masterpiece animated film `'Toy Story 5'` seized full control of theaters even in its second week after release, locking in a steady, record-setting run at the box office.
| James choi
'Toy Story 5' Hits $160 Million in North America First-Weekend Ticket Sales, Sets Top Opening Record for 2026

'Toy Story 5' Hits $160 Million in North America First-Weekend Ticket Sales, Sets Top Opening Record for 2026

〈Beyond Inside Out 2〉 and 〈Zootopia 2〉
Disney and Pixar’s flagship animated feature 〈Toy Story 5〉 is sparking a worldwide box-office craze after delivering an overwhelming score during its first weekend in North America. According to Box Office Mojo, 〈Toy Story 5〉 earned $160 million (about 244.
| Kim Ji-yeon
[Box Office] 'Toy Story 5' Returns After 7 Years, Takes No. 1 With 710,000 Over the Weekend

[Box Office] 'Toy Story 5' Returns After 7 Years, Takes No. 1 With 710,000 Over the Weekend

Ages 〉The toy adventures taking on smart devices drive 'Toy Story 5,' which draws more than 710,000 viewers over its opening weekend to reclaim the No. 1 spot with overwhelming box-office results
A rousing counterpunch from 'Analog Toys' flips the theater-going box-office landscapeDisney and Pixar's masterpiece, 'Toy Story 5,' reclaimed the top spot at home by displaying overwhelming audience-drawing power during its opening weekend.
| James choi
Jun Ji-hyun X Koo Gyo-hwan’s “Colony” Reclaims No. 1 at the Box Office in a Day—500 Million Views in Sight

Jun Ji-hyun X Koo Gyo-hwan’s “Colony” Reclaims No. 1 at the Box Office in a Day—500 Million Views in Sight

Spurred by a new wave of Hollywood legend Steven Spielberg’s latest onslaught, the film bounced back to the top in just one day, flexing South Korea’s zombie strength Cumulative admissions surpass 4.91 million…Box-office momentum gets a further boost with special videos and events centered on zombie performers Yeon Sang-ho’s next-generation infection thriller, as it locks in a solo run at theaters and begins a long haul at the box office
〈Colony〉 is back at No. 1, putting 5 million admissions within reach. The film 〈Colony〉 depicts a string of incidents that unfold as a virus spreads inside a building. After it opened on May 21, it steadily held onto the top spot at the box office and surpassed 4 million admissions.
| Seongchan Eol
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi