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“The Backrooms” Chiwetel Ejiofor Surpasses 1 Million Views With Thank-You Video Letter: “I’m Truly Grateful for the Huge Love From Korean Audiences”

“The Backrooms” Chiwetel Ejiofor Surpasses 1 Million Views With Thank-You Video Letter: “I’m Truly Grateful for the Huge Love From Korean Audiences”

The horror-thriller sensation “The Backrooms,” with 1.12 million cumulative viewers, posts the highest box-office audience for an overseas horror genre in seven years Chiwetel Ejiofor, who plays Clark, the owner of a furniture store, delivers a greeting he says he couldn’t hide his joy and excitement through the distributor Capturing the fight that unfolds in a strange place under endless yellow walls and fluorescent lights, the film is continuing to perform strongly at theaters
Chiwetel Ejiofor returns the love Korean audiences have shown for 〈TheBackrooms〉. Actor Chiwetel Ejiofor has released a video letter to Korean audiences through the distributor, Byvos Studio, for 〈TheBackrooms〉.
[Box Office] 'Toy Story 5' Returns After 7 Years, Takes No. 1 With 710,000 Over the Weekend

[Box Office] 'Toy Story 5' Returns After 7 Years, Takes No. 1 With 710,000 Over the Weekend

Ages 〉The toy adventures taking on smart devices drive 'Toy Story 5,' which draws more than 710,000 viewers over its opening weekend to reclaim the No. 1 spot with overwhelming box-office results
A rousing counterpunch from 'Analog Toys' flips the theater-going box-office landscape Disney and Pixar's masterpiece, 'Toy Story 5,' reclaimed the top spot at home by displaying overwhelming audience-drawing power during its opening weekend.
[Weekend Theater] Toy Story 5 Returns After 7 Years, Dominates Theaters With a 47% Booking Rate

[Weekend Theater] Toy Story 5 Returns After 7 Years, Dominates Theaters With a 47% Booking Rate

A counterattack from toys that lost children to smart devices. Right after release, it sweeps both the box office and booking-rate charts to signal a major surge at the box office
Pixar’s masterpiece, which has broken a long seven-year silence, Toy Story 5 shook up the weekend theater scene and announced the king’s return. It’s more than a hit—it’s the rekindling of a cultural phenomenon that cuts across generations.
'K-Pop Demon Hunters' Marks 1 Year With a Record-Shattering Run

'K-Pop Demon Hunters' Marks 1 Year With a Record-Shattering Run

A year after its worldwide release on June 20, 2025, Netflix's 〈K-Pop Demon Hunters〉 continues to set major streaming and music-chart records. The film was released worldwide on June 20, 2025, and more than a year later remains a frequent topic of conversation.
‘Backrooms’ Reaps 20 Times Its Budget in Profit, Surpasses 1 Million in South Korea—First Record in 7 Years for Foreign-Language Horror

‘Backrooms’ Reaps 20 Times Its Budget in Profit, Surpasses 1 Million in South Korea—First Record in 7 Years for Foreign-Language Horror

The film 'Backrooms', which began as a YouTube urban legend, rides word of mouth among the 1020 generation to pull in worldwide revenue of 370 billion won
A digital labyrinth summoned from the margins of memory, shattering the map of the screen The primal fear of isolation and the unknown that lies hidden within modern people finally broke through the screen and swallowed up the crowds of reality.
[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark “Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
Yeon Sang-ho and Jun Ji-hyun’s <i>Swarm</i> surpasses 5 million viewers… a second record of the year

Yeon Sang-ho and Jun Ji-hyun’s Swarm surpasses 5 million viewers… a second record of the year

Takes the 5 million mark in just 24 days after release. Culture Minister Choi Hwi-young praises the overwhelming zombie acting as “an art form.”
Overwhelming terror that swallowed up theaters, “Swarm” takes the 5 million-viewer milestone Yeon Sang-ho’s universe keeps evolving. “Swarm”, the K-zombie thriller that opens a new chapter for the genre, drove a long run by surpassing 5 million cumulative viewers just 24 days after its release.
[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

South Korea’s theaters are in an unprecedented state of infection right now. Created by director Yeon Sang-ho, the K-zombie milestone of ‘Swarm’ has completely wrecked the weekend box office while displaying overwhelming dominance for its third week of release.
[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

※〈The Legend of Kitchen Soldier〉 actor Park Ji-hoon's interview continues from Part 1. 〈The Legend of Kitchen Soldier〉 features many well-known comedic actors. In particular, the chemistry with Lee Hong-nae, who plays Sergeant Yoon Dong-hyun, stood out.
3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

A genre balance that combines a uniquely built setting rooted in a prison with social satire, melding violence and black comedy to draw intense attention from overseas genre fans.
Barunson E&A (CEO Choi Yoon-hee, and Moon Yang-kwon) co-produced the Indonesian genre film 〈Ghost in the Cell〉 with Indonesia’s leading director Joko Anwar’s production company Come And See Pictures, and handled overseas sales.