Search results for "Cha Hoon"

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

Confronting the real-world walls of indie film releases… a comedy starring Lee Ji-hoon and Moon Hee-kyung, with an uncommonly free release of a preview cut
A daring move that picks ‘YouTube’ over the screen… the bitter struggle of an indie film that challenged the logic of capitalAn unusual stir is sweeping through the Korean film industry. Director Shin Jae-hoon, who directed ‘Chiwabŏpkwŏn’ and ‘Mangnaein: Eolgul Eopsneun Salinjadeul’, has unveiled...
So Ji-seob’s Action Lands…“Mr. Kim” Breaks Through With 22.3% Rating in Episode 6, Topping SBS’ All-Time No. 2

So Ji-seob’s Action Lands…“Mr. Kim” Breaks Through With 22.3% Rating in Episode 6, Topping SBS’ All-Time No. 2

So Ji-seob’s “Mr. Kim,” surpassing “Taxi Driver 2 (Model Taxi 2),” takes over the No. 2 spot in history with a 22.3% viewership rating. It dominates Netflix’s No. 1 and sparks a box-office-style surge
The destructive power that challenges “Penthouse” dominance, a new horizon for Korean hardboiled actionSeoul’s living-room TV market is in the midst of a major shift. The hardboiled action revenge drama 'Mr. Kim', starring actor 'So Ji-seob', has been tearing through the elusive 22% viewership...
SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.
‘Tazza: The Song of Beelzebub’ Chuseok is for Tazza! Confirmed for September Release, Teaser Poster & Rival Trailer Unveiled

‘Tazza: The Song of Beelzebub’ Chuseok is for Tazza! Confirmed for September Release, Teaser Poster & Rival Trailer Unveiled

Jang Tae-young (Byeon Yo-han), who thought he had it all, and Park Tae-young (No Jae-won), his best friend with the same name who took everything from him, reunite on the global gambling circuit for a fresh round of revenge.
The final installment of the Tazza series, 〈Tazza: The Song of Beelzebub〉, is a crime film in which Jang Tae-young (Byeon Yo-han)—who thought he had conquered the world through an online casino business—and Park Tae-young (No Jae-won), a best friend with the same name who stole everything from him,...
‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

A story that traces the allegations and the forces behind the assassination attempt on the First Lady that rocked South Korea on Aug. 15, 1974.
The film 〈The Assassins〉 has received an official invitation to the gala presentation section of the 51st Toronto International Film Festival, drawing attention even before its release. The film 〈The Assassins〉 has been officially invited to the gala presentation section of the 51st Toronto...
So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub’s brutal revenge drama has taken over home viewing. Breaking past 21.6% in only four episodes, it ranks as the No. 3 biggest hit of all time
The return of the action king that swallowed up the home-viewing audience is relentless. The SBS Friday-Saturday drama 'Manager Kim,' led by actor 'So Ji-sub,' is charging full speed, breaking through the fabled mark of '20% viewership' in one go and writing a new chapter in Korean action thrillers.
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy”The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.