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Search results for "Lee Won-ki"

Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Top-star couple Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won) face a breakup after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly appears, then—eight years later—get pulled into a shocking incident as they risk everything to save Dong-ju.
The movie ‘Bikwang’ is the heartfelt family chronicle directed by Lee Ji-won, in which Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won)—a top-star couple—split up after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly shows up, and then eight years later, Dong-ju becomes entangled in a shocking...
| Joo Seong-cheol
‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

A comedy film about an A-list chef who ends up working in a prison kitchen and inmates who create mind-blowing dishes with recipes and ingredients no one could have imagined.
Comedy film ‘The Taste of Prison,’ which depicts a fun food reformation story in which a star chef, suddenly thrown into rock bottom and assigned to work in a prison kitchen, and inmates awaken their souls by making dishes with recipes and ingredients beyond imagination has confirmed the casting of...
| Joo Seong-cheol
‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

A roughly three-minute sequence showing the past of Kim Bu-jang (So Ji-seop), the protagonist and a former special agent, was entirely produced with AI.
SBS Friday-Saturday drama ‘Kim Bu-jang’ (written by Nam Dae-jung, directed by Lee Seung-young and Lee So-eun, planned by Studio S, produced by Studio S, and Fantagio) is drawing another wave of attention after adopting bold AI technology, as it has broken through 21.
| Joo Seong-cheol
Youn Yuh-jung Eyes an Emmy After Oscars Win… Named a Supporting Actress Contender for “Beef Season 2”

Youn Yuh-jung Eyes an Emmy After Oscars Win… Named a Supporting Actress Contender for “Beef Season 2”

As a couple’s chemistry starring Song Kang-ho draws buzz, could Youn Yuh-jung set a new record with an Oscar-to-Emmy win? “Beef Season 2,” directed by Lee Sung-jin, is up for Best Drama and acting awards including Best Supporting Actress
From Oscars to Emmys, Youn Yuh-jung’s unparalleled rise enthralls the world’Youn Yuh-jung'A leading figure representing Korea, actress ’Youn Yuh-jung' has firmly put her name forward for ’the Emmy Awards', the highest-profile honor in the U. S.
| James choi
[World Cup Star] Son Heung-min Perfectly Recreates Haaland’s Celebration… Striker 'Atlas'

[World Cup Star] Son Heung-min Perfectly Recreates Haaland’s Celebration… Striker 'Atlas'

In the Round of 16 match between Brazil and Norway, delivers the match ball to the referee and Son Heung-min and Haaland demonstrate their celebrations… Proves future robotics technology prowess
A steel striker that dominates the pitch—The moment the future becomes realThrough Boston Dynamics’ humanoid robot 'Atlas ', Hyundai Motor imprinted its overwhelming 'Robotics ' technology on the world stage that is the biggest sports event on the planet, the 2026 North America and Central America...
| James choi
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
| Kim Ji-yeon
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정