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Search results for "Park Hae-mi"

Plus M 'Face' and 'Project Y' Invited to the Toronto International Film Festival!

Plus M 'Face' and 'Project Y' Invited to the Toronto International Film Festival!

〈Face〉 is the new work of director Yeon Sang-ho, who directed 〈Train to Busan〉, 〈Hell〉, 〈Parasite: The Gray〉, and 〈Revelation〉. 〈Project Y〉 has garnered significant attention since its casting with Han So-hee and Jeon Jong-seo.
〈Face〉 and 〈Project Y〉 are heading to Toronto. Two new films invested and distributed by Plus M Entertainment have received invitations to the Toronto International Film Festival, making their international debut.
| Joo Seong-cheol
Ryu Jun-yeol's Reaction to Repeated Personal Questions #TheEightShow #PressConference

Ryu Jun-yeol's Reaction to Repeated Personal Questions #TheEightShow #PressConference

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| Cineplay
Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Entering the competitive section of the 77th Locarno International Film Festival, it marks the director’s fifth invitation overall The festival hailed Hong as a “great master of our time,” in a series of praises Starring Kim Min-hee, Choi Myeong-gil, Kwon Hae-hyo, and others; after its Swiss premiere screening, a domestic release is planned for the second half of the year
A new film by director Hong Sang-soo has been invited to the Locarno Film Festival. Director Hong Sang-soo’s 35th feature film, 〈No Place for Eyes〉, announced on July 10 that it will be invited to the Locarno Film Festival’s competitive section.
| Seongchan Eol
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in JejuDirector ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
| James choi
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
NCT 127 Marks 10th Anniversary With Plans for Regular Album No. 7 Next Month… World Tour in September

NCT 127 Marks 10th Anniversary With Plans for Regular Album No. 7 Next Month… World Tour in September

The release of Regular Album No. 7 is confirmed for next month’s 24th. Kicking off with the Sept. 18 Seoul KSPO Dome, the group will launch a major world tour
NCT 127 Celebrates 10 Years Since Debut, Returns in Style With Regular Album No. 7NCT 127, a group that leads the global K-pop market, is gearing up for a major slate of activities as it marks its 10th anniversary since debut. According to SM Entertainment, NCT 127 will release its Regular Album No.
| James choi
Park Jung-min and Aiki Take the Stage as BIKY Opens on Aug. 8

Park Jung-min and Aiki Take the Stage as BIKY Opens on Aug. 8

The festival expands from Haeundae to West Busan, screening 179 films from 41 countries and holding a star-hosted talk show
BIKY’s evolution: a screen revolt for the next generation, expanding its territory all the way to West BusanThe "21st Busan International Children’s and Youth Film Festival" , which boasts the largest scale in Asia, will kick off its run from Aug. 8 through Aug. 14.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
| Seongchan Eol
BTS Busan Concert Draws 110,000 Visitors…Souvenir Sales Surge 136%, Tourism Ripple Effect a Huge Hit

BTS Busan Concert Draws 110,000 Visitors…Souvenir Sales Surge 136%, Tourism Ripple Effect a Huge Hit

The BTS Busan concerts that drew 110,000 people over two days generated massive economic ripple effects, including a 136% jump in local business sales, and wrapped up successfully.
The cultural landscape sometimes triggers a massive tectonic shift along the trajectory of a single artist. Beyond a mere large-scale concert, an astonishing social phenomenon was witnessed in Busan: the entire city—like a vast living organism—transforms into a single artistic text.
| James choi