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Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Director Kim Tae-yong’s work ‘Number One’ adds Kim Jun-han’s voice to a barrier-free version produced for people with visual and hearing impairments “Thank you for inviting me to take part in a meaningful project that shares warm-hearted feelings,” he said, joining efforts to break down barriers Produced with support including HD Hyundai Oilbank, the barrier-free version will meet viewers starting in late August through community screenings and booking requests
Kim Jun-han lent his voice so the sincerity of 〈Number One〉 could reach more people. The non-profit organization the Barrier-Free Film Commission held a voice-over recording session at the Seoul Economic Development Institute’s Media Content Center in Seoul last June for the production of a...
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
Shin Ha-kyun and Oh Jung-se’s Bromance Shines as ‘Fifty Percent’ Wraps With 5.0%

Shin Ha-kyun and Oh Jung-se’s Bromance Shines as ‘Fifty Percent’ Wraps With 5.0%

Finishing a mission 10 years in the making delivers catharsis, as praise for B-movie-style humor and action lands it a 5.0% finale rating to close things out on a high note
‘Fifty Percent’’s Brilliant Exit, the Evolution of a Well-Made Genre Series That Surpassed Rating Limits MBC’s Friday-Saturday drama ‘Fifty Percent’, which sparked a playful revolt in living rooms, closed out its long run with a lingering aftertaste.
[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

Kim Se-hoon and Gu Jeong-a will receive the “Lee Choon-yeon Film Award,” and a “FIPRESCI Award for International Film Critics” will also be introduced (FIPRESCI Award).
Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .
Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

▶ 〈Teach You a Lesson〉 Jin Gi-ju interview continues from Part 1. What were your real school days like. They were just ordinary. I would cram for tests, I really wanted to hang out every day but studied because I had to, and I loved club activities. Did a teacher ever actually hit you.
Korean Male Actors Who Showed Exceptional Physical Ability — Some Even Inspired Named Challenges

Korean Male Actors Who Showed Exceptional Physical Ability — Some Even Inspired Named Challenges

Kim Mu-yeol’s on-screen force in the Netflix original series True Education—where his character Na Hwa-jin’s strength is explained by past service in a special forces unit—draws on the actor’s well-known dedication to fitness.
Stray Kids Felix Named Global Model for “2026 HanbokWave”

Stray Kids Felix Named Global Model for “2026 HanbokWave”

Billboard takeovers in New York and Paris… the Ministry of Culture, Sports and Tourism launches a call for companies to develop Hanbok designs tailored to Felix
An aesthetics that breaks boundaries, “Hanbok” chooses the face of an era Felix of the K-pop group “Stray Kids,” standing at the center of global pop culture, steps forward as a cultural messenger bringing the beauty of Korea’s traditional attire to the world.
Inaugural Korea Short Drama Awards Names Five-Member Jury

Inaugural Korea Short Drama Awards Names Five-Member Jury

Co-hosted by Cineplay and the Korean Film Archive, the inaugural Korea Short Drama Awards carry a total prize pool of 20 million won. The five-member jury is chaired by Min Kyu-dong and also includes Korean Film Archive Director Mo Eun-young; Han Jung-soo, director and CEO of Yeondu Company; Kim Won-jin, director of MCA AI Creative Studio's Creative Headquarters; and actor Lee Yeon. The Archive has pledged archiving support for winners, and organizers say the awards aim to discover new creators and help the short-drama industry take a step forward.
The inaugural Korea Short Drama Awards, which carry a total prize pool of 20 million won, have named a five-member jury. Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive (Director Mo Eun-young) are co-hosting the first Korea Short Drama Awards.
Prosecutors say “No” to allegations of “sorcery management” being false…All of HYBE’s complaints filed by Min Hee-jin cleared

Prosecutors say “No” to allegations of “sorcery management” being false…All of HYBE’s complaints filed by Min Hee-jin cleared

All of the complaints filed by former ADOR CEO Min Hee-jin against HYBE—including defamation and obstruction of business—were dismissed without charges
A period at the end of a legal fight: Prosecutors back HYBE In an all-out showdown between former ADOR CEO “Min Hee-jin” and “HYBE,” the judicial system ultimately affirmed HYBE’s legitimacy. Beyond a straightforward management-rights dispute, the case—one that acted as a potential fuse for the...
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.