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‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

Korean Films Set Sights on the Palme d’Or for the First Time in Four Years…Park Chan-wook First to Serve as Jury Chair, and Jun Ji-hyun’s Return Project Added to the Good News
A Glorious Comeback for Korean Cinema, Taking Over the 79th ‘Cannes Film Festival’Korea’s film industry sent a triumphant signal at the 79th ‘Cannes Film Festival’, marking a spectacular return. It erased last year’s painful slump—when not a single invited title made it—in the ‘Competition...
| James choi
[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

With her latest work, Hungarian-born director Ildikó Enyedi, 〈Friend of Silence〉, is drawing attention as the second film in which Tony Leung has appeared outside the Chinese-language sphere since 〈A City of Sadness and Flower of Shanghai〉 (2021).
| 문동명
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
| Yangsimoh
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay
[Photo&] IU and Byeon Woo-seok’s “The Noble Lady of the 21st Century” Foreshadows a Second “Princess Hours” Syndrome, “At the Production Press Conference”

[Photo&] IU and Byeon Woo-seok’s “The Noble Lady of the 21st Century” Foreshadows a Second “Princess Hours” Syndrome, “At the Production Press Conference”

A constitutional-monarchy romance reunites IU and Byeon Woo-seok after 10 years. MBC’s new drama “The Noble Lady of the 21st Century” is raising expectations for a hit.
The Prologue of Royal Romance, Foreshadowing a Second “Princess Hours” SyndromeActors 'IU' and 'Byeon Woo-seok' have teamed up for MBC’s new Friday-Saturday drama 'The Noble Lady of the 21st Century'. Set in a bold world where the country runs on 'a constitutional monarchy', it tells the story of a...
| James choi
[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.
A must-do itinerary on a trip to Hong Kong is Victoria Peak on Hong Kong Island. When you take the Peak Tram up, you’re treated to a stunning view: Hong Kong Island’s skyline in the foreground, with the Kowloon Peninsula stretching out far in the distance.
| Joo Seong-cheol
A Global Musician ‘Miryang Park Clan’s Anderson .Paak Pack’ Movie ‘K-POPS!’ Features aespa for an OST Collaboration. What’s the Extra Charm? When Does It Hit Theaters in Korea?

A Global Musician ‘Miryang Park Clan’s Anderson .Paak Pack’ Movie ‘K-POPS!’ Features aespa for an OST Collaboration. What’s the Extra Charm? When Does It Hit Theaters in Korea?

‘Anderson .Paak,’ Chosen by ‘Dr. Dre.’ His Directorial Debut ‘K-POPS!’
1. 'The Best Output from the Miryang Park Clan', K-POP Returns of a World-Class Top ArtistThe Grammy King with Korean Roots Flowing in His Blood, 'Anderson . Paak'Born to an African-American father and a mother of Korean mixed heritage, 'Anderson .
| James choi
A Theater Release After 18 Years… The Holocaust Masterpiece, “The Boy in the Striped Pajamas”

A Theater Release After 18 Years… The Holocaust Masterpiece, “The Boy in the Striped Pajamas”

A tragic true story resonating with “The Zone of Interest.” A brutal fairy tale about two boys separated by barbed wire hits theaters this April.
[A Holocaust Masterpiece Returns to the Screen After 18 Years]This April, “The Boy in the Striped Pajamas”—the representative masterpiece of Holocaust cinema recognized by critics around the world—will be released in Korean theaters for the first time in 18 years since it was made.
| James choi
[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

“〈Salmokji〉, it’s a 10/10 movie—but if you say it’s too scary, I feel like audiences won’t come. So I’ll give it a 9.5.”
▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.
| Kim Ji-yeon
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.
| Kim Ji-yeon