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Top 6.2% for tvN ‘Undercover Chef’ Spin-Off… This Time, It’s the Overseas Senior Chefs Coming In

Top 6.2% for tvN ‘Undercover Chef’ Spin-Off… This Time, It’s the Overseas Senior Chefs Coming In

Local chefs in Italy and China visit Korea in the first place—program is aiming to air sometime this year
The Evolution of 역지사지 Reality… A Comeback by a Strange Kitchen That’s Set to Hit Home Viewers tvN 'Undercover Chef', which logged a peak viewership rating of 6. 2% and offered a new paradigm for cooking entertainment, is expanding its universe at full speed.
| James choi
[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

[Photos &] Seo In-guk on why he really chose three consecutive office dramas: “Not even a bit like me”

Praise for his role as Kang Si-woo in tvN’s “Work Tomorrow!”… Behind the ending ad-lib and his laid-back mindset after 15 years since debut
Actor Seo In-guk proved his seasoned depth from his 15th year since debut by fully bringing to life the workaholic Gang Si-woo in tvN “Work Tomorrow. ”, which recently wrapped, a character that stands in stark contrast to his true self.
| James choi
Kim Tae-ho PD’s “TEO” Takes Over the Film Scene With “The Drama” — First Distributor Release in September

Kim Tae-ho PD’s “TEO” Takes Over the Film Scene With “The Drama” — First Distributor Release in September

TEO signs a strategic partnership with WaterHall Company, unveiling a romance thriller starring Robert Pattinson and Zendaya.
“The Drama” is set to hit theaters this September as TEO’s first distribution release, with a bold synergy between a top variety show studio and a distribution powerhouse TEO , the production company of “Kim Tae-ho PD,” which has reshaped the landscape of South Korea’s content industry, is making a...
| James choi
[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

I’m curious about people. Even actors already getting attention may be at the low point of their public profile. "Kim Ji-yeon's Jewel Box" spotlights performers who keep setting new highs day after day. Buy the breakout stocks at their lows.
Anyone who watches Korean dramas has likely noticed Kang Ki-dong at least once — the reliably grounded actor whose supporting turns keep stealing scenes. In the tvN drama 〈Off to Work Again!〉, which concluded on the 28th, Kang played Jeon Gi-tae, a seven-year office veteran and a member of Saeum...
| Kim Ji-yeon
Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

Review: Peter Parker Leaves ‘Home’ Behind in ‘Spider-Man: Brand New Day’ — But Does the Reinvention Work?

After 〈Spider-Man: No Way Home〉 wiped Peter Parker from everyone’s memory, 〈Spider-Man: Brand New Day〉 sends him into a lonelier, heavier new chapter — following Spider-Man, now living like a Marvel version of the reality series 'I Live Alone,' as he encounters a new enemy.
| Seongchan Eol
First Reactions to 'Spider-Man: Brand New Day': Cineplay Reporters Share Their Ratings

First Reactions to 'Spider-Man: Brand New Day': Cineplay Reporters Share Their Ratings

First reactions 〈Spider-Man: Brand New Day〉 opens tomorrow. After seeing the film at a press screening, Cineplay reporters shared their first impressions of the latest Spider-Man action blockbuster. The film follows Peter Parker , who has been forgotten by everyone after the events of 〈Spider-Man:...
| Kim Ji-yeon
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol