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‘Colony’ Yeon Sang-ho: “Only Jeon Ji-hyun got a neat makeup job? Most characters’ faces look clean”

‘Colony’ Yeon Sang-ho: “Only Jeon Ji-hyun got a neat makeup job? Most characters’ faces look clean”

〈Colony〉 director Yeon Sang-ho clarified an apparent misunderstanding that only Jeon Ji-hyun had a neat makeup job. Director Yeon Sang-ho, who directed the film 〈Colony〉, held a roundtable interview on May 26 at an undisclosed location in Jongno-gu, Seoul.
| Seongchan Eol
[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

Within 5 days of release, during the Buddha’s Birthday holiday, the theaters are dominated at a sprint; tickets for the action-stuffed ‘Wild Thing’ starring Kang Dong-won are in 2nd place as it charges hard
The evolution of a K-zombie thriller that takes over theaters, ‘Swarm’ sparks box-office surge South Korea’s screens have been fully taken over. During the Buddha’s Birthday holiday, the film that instantly reshaped the theater landscape was Director Yeon Sang-ho’s ambitious work ‘Swarm’.
| James choi
A Classroom Turns Into a Bloodbath Survival Story: The “Jiwoohak” and “Girigo” Craze Expands the “Dark Academy” Genre Built on Endless Competition

A Classroom Turns Into a Bloodbath Survival Story: The “Jiwoohak” and “Girigo” Craze Expands the “Dark Academy” Genre Built on Endless Competition

From “Jiwoohak” to “Girigo,” K-academy fare morphs into bite-your-fingers survival drama. The bleak reality inside a classroom reduced to a ladder of class and violence
The end of romance—classrooms become a blood-red survival fight. . . The world gets hooked on 'Girigo' No more romance of first love is breathing in classrooms. A strange app appears on smartphone screens, turning teenagers’ daily lives into a brutal survival game.
| James choi
[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

The 79th Cannes International Film Festival, where Park Chan-wook’s poise and humor set the tone for the closing ceremony. Behind-the-scenes details from the Christian Mungiu Palme d’Or win and a warm, upbeat jury
‘The 79th Cannes International Film Festival’, a closing ceremony ruled by Park Chan-wook’s poise and humor “To speak honestly, the Palme d’Or is not a prize I wanted to give to anyone. That’s because it’s an award I’ve never received.
| James choi
[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

“My 'headspin'? I want to be the best actor in the world. That's all.”
▶Actor Kang Dong-won's interview on 〈Wild Thing〉 continues from Part 1. 〈Wild Sing〉's Hyun-woo sees the 'headspin' as the symbol of a dream he can never give up; if Kang Dong-won has a dream like that, what is it. I just want to be the best actor in the world; simply put, that's all there is.
| Kim Ji-yeon
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon
‘Hope’ Official Photo Call & Press Conference at the 79th Cannes Film Festival Held in Great Success

‘Hope’ Official Photo Call & Press Conference at the 79th Cannes Film Festival Held in Great Success

Director Na Hong-jin “〈Hope〉 is a story about just how far the problems in our world can grow”
The official photo call and press conference for 〈Hope〉, the film that was first unveiled to the world through its world premiere on the 17th, took place the following day, Monday, May 18. Ahead of the press conference, director Na Hong-jin, Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael...
| Joo Seong-cheol
A Comedy That Makes You Laugh Without Being Formulaic: Review & a Look at the Press Conference for <Wild Thing>

A Comedy That Makes You Laugh Without Being Formulaic: Review & a Look at the Press Conference for

There's that old saying about an empty cart making the most noise. But 〈Wild Thing〉 seems to be the exception. I didn't expect it to be this entertaining. In an era when promotional content functions as a meme, how often have pre-release promos and trailers been more entertaining than the film...
| Kim Ji-yeon
“Khan’s Biggest Shock”: Why Foreign Media Can’t Stop Praising Hong Jin-ho’s New Film ‘Hope’

“Khan’s Biggest Shock”: Why Foreign Media Can’t Stop Praising Hong Jin-ho’s New Film ‘Hope’

Screen Daily rating of 2.8 keeps it in the upper tier. Amid overwhelming praise from major foreign outlets, reactions to the ending and the monster’s CGI are mixed.
Hong Jin-ho’s return shakes Cannes with 'Hope' Director Hong Jin-ho’s new work, 'Hope', has taken the stage at the 79th Cannes International Film Festival in the Competition section, drawing cheers from critics around the world.
| James choi
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​ ▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1.
| 이화정