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Search results for "Jeon So-ni"

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Photo&] The world that connects “The Heirs of the Chaebol”… Lee Jun-young makes a startling transformation with “Rookie HR Chairman,” at the production press event

[Photo&] The world that connects “The Heirs of the Chaebol”… Lee Jun-young makes a startling transformation with “Rookie HR Chairman,” at the production press event

A meeting between the “The Youngest Son of a Chaebol” universe and creator Kim Soon-ok. A 20-something man carrying the soul of a 70-something chaebol chairman—Lee Jun-young’s daring two-roles-in-one performance is set to be revealed
A 20-something youth that swallowed the soul of a 70-something chaebol, 'Lee Jun-young'’s audacious provocationActor 'Lee Jun-young' is set to spark a massive shake-up in living-room viewing with an unprecedented two roles played by one person.
| James choi
Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

▶ This interview with Park Eun-bin on 〈The WONDERfools〉Part 1 continues below. “At its core, the series is about solidarity among flawed people. ” The characters grow through that process. How did you interpret and portray Chae-ni’s process of growth. Chae-ni was, after all, living on borrowed time.
| Kim Ji-yeon
'Woo Young-woo' Ranks No. 2 of All Time as 'Scarecrow' Closes With Park Hae-soo's 8.1%

'Woo Young-woo' Ranks No. 2 of All Time as 'Scarecrow' Closes With Park Hae-soo's 8.1%

Inspired by the Hwaseok Yi-jong murder case, 'Scarecrow' delivers a heavy message and wraps up after hitting a personal best of 8.1% and recording the No. 2 spot in ENA drama history.
Scraps of truth ripped out of 30 years of darkness. As 'Scarecrow' crosses the scars of the past it depicts with the absurdities of the present, it delivers a heavy-era warningAt the deepest depth of South Korea's crime history, ENA's Monday-Tuesday drama 'Scarecrow', which pulled the nation's...
| James choi
Hong Seok-cheon, Yoo Jeong-su, Park Chang-jin and Other Figures Take the Stage as ‘6th Pride Gala’ Wraps Up!

Hong Seok-cheon, Yoo Jeong-su, Park Chang-jin and Other Figures Take the Stage as ‘6th Pride Gala’ Wraps Up!

An event held to mark ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’ the day against international anti-LGBTQ hate.
The 6th Pride Gala, hosted by the nonprofit Singnaneun Center (Chairman Kim Jo-gwang-soo), was held with great success on May 22 at the Grand Ballroom of the FKI Hall in Yeouido, Seoul. At this event, held in commemoration of ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’...
| Joo Seong-cheol
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
| Seongchan Eol
[Photo&] Cannes Film Festival Captivates With Korean Extended Reality…Floating, Meditative Experience

[Photo&] Cannes Film Festival Captivates With Korean Extended Reality…Floating, Meditative Experience

At the 79th Cannes Film Festival, in the immersive section, WooBoxStudio’s XR work “BOOOOOO-PEEEEEEEE”. Delivering awe-inspiring virtual sensations to audiences worldwide
An overpowering sense of immersion that dissolves the boundaries of reality, ‘BOOOOOO-PEEEEEEEE’The moment you put on the headset and the glasses set, the physical laws of reality break down. When you follow the instruction heard at your ear—“Make a circle with your fingers”—and draw a circle in...
| James choi
[Photo &] Breaks Cannes’ selfie ban… Meta AI smart glasses create a stir as the Meta House fills up with visitors

[Photo &] Breaks Cannes’ selfie ban… Meta AI smart glasses create a stir as the Meta House fills up with visitors

Shoot the red carpet in a first-person POV without a smartphone… Crowds of viewers pack the “Meta House” experience, complete with real-time translation.
Cannes has, since 2018, banned all selfie (self-camera) photography on the red carpet. It’s because such behavior undermines the dignity and order of the process of heading to the Lumière Grand Theatre.At the time, Thierry Frémaux, the executive director, sharply criticized selfie shooting as...
| James choi
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon