Search results for "Ko Joon"

A gathering of masters returns, bigger than ever '22nd Jecheon International Music Film Festival' , the only music film festival in Asia, announced its dazzling return with record-high screenings and an overwhelming roster of guests. Running from Sept.

450 Billion Won in Just Four Shows… The Economics of a Mega IP That Outstrips the ‘World Cup’ A respected analysis has claimed that the economic ripple effects generated by the global top-tier group “Bangtan Sonyeondan” through its North America tour have officially surpassed the scale of...

A 24-year return as a master filmmaker’s gaze turns back to Venice Director Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...

The miracle at Tottenham that quenched ‘7 years of thirst,’ the pop king proved by 130,000 fans Global pop’s absolute power, ‘BTS ’, fully seized the heart of London and reaffirmed its status as truly world-class.

A Meeting of Masters Set to Rattle the Landscape of South Korean Film A massive forum for a renaissance in South Korean cinema finally lifts the veil. For Na Hong-jin’s SF blockbuster 'Hope', the director’s long-awaited return after a decade of silence since 'The Wailing', world-renowned masters...

Remembering Tony Rayns, 'Korea film's eternal compass' The 'Pioneer with Blue Eyes' who brought Korean film from the margins to the center of global attention has left us. 'Tony Rayns,' a leading British film critic and programmer, died on the 8th.

A leader of the group ‘Bangtan Sonyeondan’ , ‘RM’ (real name Kim Nam-joon), has been swiftly appointed as South Korea’s ‘National Museum of Korea’’s ‘first-ever global publicity ambassador’ since the museum opened.

The cultural landscape sometimes triggers a massive tectonic shift along the trajectory of a single artist. Beyond a mere large-scale concert, an astonishing social phenomenon was witnessed in Busan: the entire city—like a vast living organism—transforms into a single artistic text.

The stars of the film 'Wild Thing' have stepped beyond being mere performers, emerging as rightful holders of legitimate rights in the sound-source ecosystem. The explosive energy of the fictional mixed group 'Triangle' has finally translated into the real-world legal acquisition of rights.

This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.