LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "Possible Love"

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.
| Kim Ji-yeon
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
| Joo Seong-cheol
Hong Seok-cheon, Yoo Jeong-su, Park Chang-jin and Other Figures Take the Stage as ‘6th Pride Gala’ Wraps Up!

Hong Seok-cheon, Yoo Jeong-su, Park Chang-jin and Other Figures Take the Stage as ‘6th Pride Gala’ Wraps Up!

An event held to mark ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’ the day against international anti-LGBTQ hate.
The 6th Pride Gala, hosted by the nonprofit Singnaneun Center (Chairman Kim Jo-gwang-soo), was held with great success on May 22 at the Grand Ballroom of the FKI Hall in Yeouido, Seoul. At this event, held in commemoration of ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’...
| Joo Seong-cheol
[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

“My 'headspin'? I want to be the best actor in the world. That's all.”
▶Actor Kang Dong-won's interview on 〈Wild Thing〉 continues from Part 1. 〈Wild Sing〉's Hyun-woo sees the 'headspin' as the symbol of a dream he can never give up; if Kang Dong-won has a dream like that, what is it. I just want to be the best actor in the world; simply put, that's all there is.
| Kim Ji-yeon
Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

While a family staying at a seaside villa in the height of summer—after leaving Seoul—struggles with an unknown illness, Dora finally learns what love is, and everything begins to slowly unravel.
Ahead of the May 17 world premiere in the Directors’ Fortnight at the Cannes Film Festival, director Jeong Juri’s new work 〈Dora〉 has confirmed the Cannes joint attendance of director Jeong Juri and actors Kim Do-yeon and Ando Sakura, unveiling the trio’s invitation-day remarks.
| Joo Seong-cheol
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
| Cineplay
[A Pinch by Kim Ji-yeon] Why “21st-Century Daegun’s Wife” (21st-Century Grand Prince Consort) Turned Out More Bland Than Expected

[A Pinch by Kim Ji-yeon] Why “21st-Century Daegun’s Wife” (21st-Century Grand Prince Consort) Turned Out More Bland Than Expected

After saying 'I enjoyed it,' I always feel like tacking on a 'but. ' Maybe it's my innate contrarian streak. No matter how entertaining a movie or drama is, there's always one thing I want to point out. I pick at that nagging detail and write 'A Pinch by Kim Ji-yeon.
| Kim Ji-yeon
[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

I get hooked on the music in the film. Music sometimes conveys intimate feelings a character can’t fully express through the visuals alone—or through the lines you hear. It can also serve as a window into the creator’s hidden intentions. For me, understanding film music was one way to connect with the movie. “Chua-Young’s Music Box” lets you listen more closely to the movie’s voice through music. (P.S. While listening to the music, I hope you’ll read the article.)
Following the first film, 〈Girls Band Cry: The Movie—Youth Rhapsody〉 (hereinafter 〈Youth Rhapsody〉), the sequel 〈Girls Band Cry: The Movie, Hey Our Future〉 was released in theaters on April 16. This theatrical release is a compilation film: while it faithfully follows the existing story, it adds...
| Chua-young
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol