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Jung Joo-ri receives France’s Chevalier honor for ‘Dora’; Jang Byung-wook wins Korea’s first Angénieux award

Jung Joo-ri receives France’s Chevalier honor for ‘Dora’; Jang Byung-wook wins Korea’s first Angénieux award

31st Busan International Film Festival marks 140 years of Korea-France ties with honors for cinematographer Jang Byung-wook
Director beloved by Cannes receives France’s highest arts honor Jung Joo-ri, director of the film ‘Dora’, has been awarded the rank of ‘Chevalier’ in France’s Order of Arts and Letters. The Embassy of France in Korea announced on the 14th that it had presented the honor to Jung at the 2026 French...
| James choi
Lee Se-young Spans Film and Streaming at BIFF With 'Still Brilliant' and 'The Remarried Empress'

Lee Se-young Spans Film and Streaming at BIFF With 'Still Brilliant' and 'The Remarried Empress'

From her big-screen return opposite Kim Hye-ja to her turn as Rashta in the Disney+ series, Lee kept busy across the Busan festival
Lee Se-young lit up the 31st Busan International Film Festival with appearances tied to both a film and a global OTT series. Her agency Fantagio said she successfully completed the festival's official schedule with two projects: the film 〈Still Brilliant〉 and the Disney+ original series 〈The...
| Kim Ji-yeon
Kim Do-yeon completes first BIFF run with 'Dora,' wins Face of Asia Award

Kim Do-yeon completes first BIFF run with 'Dora,' wins Face of Asia Award

Invited to the 31st Busan International Film Festival's Gala Presentation section, she appeared at stage greetings, a guest talk and a press conference
Kim Do-yeon completed her first Busan International Film Festival run with the film 〈Dora〉. Her agency, Fantagio, said Oct. 12 that Kim successfully completed the official schedule for the 31st Busan International Film Festival, held from Oct. 6 to 9.
| Kim Ji-yeon
Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Director Yeon Sang-ho, a filmmaker often credited with expanding the range and commercial success of Korean cinema, tackles a story rooted in the anxieties of the AI age in 〈Silnakwon〉. The film, which screened for audiences at the 51st Toronto International Film Festival and the 31st Busan...
| Seongchan Eol
Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Third-year event features directors Han Jun-hee and Kang Yoon-sung and introduces its first hands-on AI workshop
400 creators poised to lead the future of K-content learn hands-on production skills Netflix held Creative Asia at the Busan International Film Festival on the 10th, bringing together emerging creators from across Asia for global exchange and professional growth in the event's largest edition yet.
| James choi
[Busan International Film Festival (BIFF) Photo]

[Busan International Film Festival (BIFF) Photo] "From winning the 83rd Venice Best Actress award to the job center" ... Mathilde Arcel of 'What's Wrong With Marie?'

She won the unanimous Best Actress award for a film about a Nazi collaborator in 1945 and made her Korean debut at the Busan International Film Festival on the 11th.
"It was my first film in a leading role, and my first award at my first festival. It felt like a strange imbalance to have been in Venice just moments earlier and then find myself in a small office at a Danish job center.
| James choi
Princess Ubolratana visits Busan as first Country of Focus guest at BIFF, with three films including 'Burning Giants'

Princess Ubolratana visits Busan as first Country of Focus guest at BIFF, with three films including 'Burning Giants'

The 31st Busan International Film Festival selects Thailand as ACFM Country of Focus, with the 21st market running at BEXCO from Oct. 10-13
Thailand puts 'soft power' forward as a new force in Asia's content market Princess 'Ubolratana Rajakanya' of Thailand's royal family visited Busan, where the 31st 'Busan International Film Festival ' is underway, highlighting the country's cultural influence and the powerful potential of its film...
| James choi
[On Location at BIFF] “It Started With My Experience of Being Talked About Behind My Back” — 28-Year-Old Newcomer’s That Day’s Tae-joo Explores the Truth Behind a Busan Film Festival Rumor

[On Location at BIFF] “It Started With My Experience of Being Talked About Behind My Back” — 28-Year-Old Newcomer’s That Day’s Tae-joo Explores the Truth Behind a Busan Film Festival Rumor

Invited to the 31st Busan International Film Festival competition, the film presents an unusual narrative in which a single day repeats against the backdrop of Namhae
Chilling insight drawn from experience, on the line between escape and confrontation Selected for the competition section of the 31st Busan International Film Festival , That Day’s Tae-joo is a finely crafted work that sharply captures the anxiety of modern people trapped by others’ scrutiny and...
| James choi
[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

Adoptee sent to Denmark at 2 months old in 1982 returns with autobiographical documentary No compensation despite official finding of human rights violations; film takes direct aim at South Korea’s stigma against single mothers
Tracing lost blood ties through a stranger’s lens Tanja Taekyung Inwol Sørensen, who was adopted to Denmark at 2 months old in 1982, came to the 31st Busan International Film Festival with 'Home Sick: At the End of the Sea', an autobiographical documentary tracing her roots.
| James choi
[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

[Busan International Film Festival (BIFF)] Yeon Sang-ho on his AI thriller ‘Paradise Lost,’ made for 500 million won in 14 shooting days: “I make a living thanks to the three awards”

A reunion 15 years after ‘The King of Pigs’ won three awards, this mystery starring Kim Hyun-joo and Bae Hyun-sung opens on the 21st
'Yeon Sang-ho' has returned to the 31st 'Busan International Film Festival' with his new film 'Paradise Lost'. Fifteen years ago, he made a major mark on the film industry with the animated film 'The King of Pigs', which won three awards.
| James choi