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[Photos] ‘Killing Time’: Fake hidden-camera pranks turn into real murders in the final act of a staged broadcast that goes too far — opens on the 21st

[Photos] ‘Killing Time’: Fake hidden-camera pranks turn into real murders in the final act of a staged broadcast that goes too far — opens on the 21st

A remake of the Australian film ‘Scare Campaign,’ it marks Ryu Hye-young and Nam Yoon-soo’s first leading roles together on the big screen
When the fake becomes real … the chilling start of a nightmare A sensational “hidden-camera” segment on an internet broadcast transforms into an out-of-control murder scene in “Killing Time,” a horror-action film set to open on the 21st.
[New film] Park Hoon-jung's 'Sad Tropics' set to open on the 25th next month with brutal survival tale crowned by Silver Crow

[New film] Park Hoon-jung's 'Sad Tropics' set to open on the 25th next month with brutal survival tale crowned by Silver Crow

Action noir starring Kim Myung-min and Park Hae-soo wins Special Jury Prize at 44th Brussels Film Festival
Director 'Park Hoon-jung', who has built an unparalleled universe in Korean noir, is returning with a new film. Distributor Mindmark said on the 13th that 'Sad Tropics' will receive a formal theatrical release on the 25th next month.
[Photos &] Tom Cruise's 'Digger' transformation: Potbellied, balding and set for a bold new mission hitting theaters Oct. 3

[Photos &] Tom Cruise's 'Digger' transformation: Potbellied, balding and set for a bold new mission hitting theaters Oct. 3

A black comedy about a climate disaster triggered by a 9-meter glacier crack; director Alejandro González Iñárritu and Cruise will officially visit Korea on Oct. 1
Hollywood's iconic action star 'Tom Cruise' returns to the screen looking completely broken down. His new film 'Digger,' set for release on 'Oct. 3,' is a 'black comedy' about the downfall of a greedy oil tycoon who triggers a climate catastrophe.
Jeju 4·3 Film Festival draws record 526 entries, unveils 10 finalists

Jeju 4·3 Film Festival draws record 526 entries, unveils 10 finalists

Entries surged 54.3% from last year; films will screen Nov. 22-28 at the fourth festival, exploring the values of 4·3, including forced mobilization and diaspora.
A record number of films have been submitted to the short-film competition at the fourth Jeju 4·3 Film Festival, which transforms the painful memories of Jeju 4·3 into values of peace and human rights. After a rigorous preliminary screening, 10 films advancing to the final competition have been...
How Did Bong Joon-ho and Park Chan-wook Become Directors? 31 Masters Recall “My First Action” and Their Brilliant Debuts

How Did Bong Joon-ho and Park Chan-wook Become Directors? 31 Masters Recall “My First Action” and Their Brilliant Debuts

The debut struggles of leading Korean filmmakers, from a screenplay rewritten 30 times to seven years of financial hardship
Even the masters who now define Korean cinema had humble, uncertain beginnings. “The Outlaws” (2017) director Kang Yoon-sung’s arduous journey to the director’s chair at the late age of 47 is among the stories collected in the new book “My First Action”, along with the debut tales of 31 top...
‘Chuseok at Home’ roundup: Lee Seung-chul’s KBS concert, ‘The Man Who Lives With the King’ TV premiere, Hana Bank-invited national team soccer, Lee Eun-gyeol magic ...!

‘Chuseok at Home’ roundup: Lee Seung-chul’s KBS concert, ‘The Man Who Lives With the King’ TV premiere, Hana Bank-invited national team soccer, Lee Eun-gyeol magic ...!

The 16.92 million-viewer hit airs exclusively on SBS on Sept. 26, while Wavve premieres ‘The Witness’ and livestreams two national team friendlies
Lee Seung-chul’s 40th anniversary and ‘The Man Who Lives With the King’ — TV’s first exclusive Chuseok premieres 16.92 million-viewer blockbuster airs on Sept. 26 as Wavve and Netflix face off with original releases This year’s Chuseok holiday lineup is packed with must-see programming, from a...
'Salmokji' followed by 'Obsession' in box office jackpot… Horror film turns 10 billion won into 690 billion won

'Salmokji' followed by 'Obsession' in box office jackpot… Horror film turns 10 billion won into 690 billion won

From 'Salmokji,' the all-time No. 1 film that surpassed 'A Tale of Two Sisters,' to 'Obsession,' which earned 660 times its budget, here's the fall theater lineup
'Obsession' delivers 660-fold return… The secret behind horror's box office breakthrough beyond summer rules 'Salmokji' tops 3.24 million viewers to become the all-time No. 1, with 'Alpha,' opening Sept. 30, taking aim at year-round success Movie theaters are enjoying an unusual horror-film boom...
Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

Na Hong-jin’s ‘Hope’ sweeps North American theaters, grosses up to $5 million — biggest Korean film hit since ‘Parasite’

The film opened on 1,560 screens across North America and took No. 2 at the box office behind Christopher Nolan’s latest; Jo In-sung and Jung Ho-yeon complete New York red-carpet appearance
Film grosses more than $5 million in opening week, heads to Austin and San Francisco after New York ‘Hope’, the latest film from director Na Hong-jin, is sweeping North American theaters and setting the biggest box-office record for a Korean film since ‘Parasite.
First Review: Korean 〈The Intern〉 Leans on Choi Min-sik’s Appeal; Inside the Press Screening and News Conference

First Review: Korean 〈The Intern〉 Leans on Choi Min-sik’s Appeal; Inside the Press Screening and News Conference

The Hollywood hit 〈The Intern〉 returns as a distinctly Korean remake, folding in local workplace culture, marital realism, and a stronger emotional through-line. Due to open September 16, 〈The Intern〉 begins when Gi-ho (Choi Min-sik), a 37-year veteran "silver intern," joins Sun-woo (Han So-hee)’s...
[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

Film music hooks me first. It often reveals emotions that images and dialogue alone cannot fully carry, and it can open a window onto a filmmaker's hidden intentions. For me, understanding film music has been one path to understanding the film itself.