Search results for "Life Character"

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.

I'm obsessed with subculture. If a story or character feels fresh—whether in film, webtoons, games, comics, or animation—I check it out. Comics opened the world of fandom to me, and now I'm a kid-at-heart adult who reads paper volumes as e-books and webtoons on my phone. But it's less fun alone. I write [Sung Chan-eol's Comics] to share what’s more enjoyable experienced together, from the perspective of an enthusiastic generalist.

A theater version of “After School Exorcism Club,” a Kitts premium short-form drama released on May 22, has been set for a standalone theatrical run at CGV, the first such screening for a short drama in South Korea.

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)

Kim Hyang-gi: "I’m so grateful to all the fans who cheered for Yeo Ui-ju, who is sometimes awkward but grows as she goes."

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.

The eight-episode action thriller starring Lee Dong-wook and Kim Hye-jun, which set Disney+’s global most-watched record in 2024 “Moving” and “Casino” mark the latest example of strategic terrestrial content curation…An outstanding OTT hit moves into the living room The follow-up to “Fifty Percent,” which is set to end on June 27, will premiere Friday, July 3, at 9:50 p.m.

Based on the same-titled Naver webtoon… An ordinary banker-turned-father awakens his former operative instincts to find his missing daughter in a revenge action story So Ji-sub’s relentless tension as he clutches a cold gun instead of his daughter’s lunch… Producer lineup including screenwriter Nam Dae-jung and director Lee Seung-young teams up A massive, fatherly-love blockbuster planned as a 10-episode series, set to premiere June 26 at 9:50 p.m.