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30th Bucheon International Fantastic Film Festival Announces 10 Invited Films for Korean Competition Section “Bucheon Choice Korean”

30th Bucheon International Fantastic Film Festival Announces 10 Invited Films for Korean Competition Section “Bucheon Choice Korean”

Renaming the previous “Korean Fantastic” to broaden genre diversity, the festival selects 10 Korean feature films From horror and thrillers to crime dramas, plus sci-fi, comedy, and animation—an eclectic mix of genres and original directing The festival will meet film fans worldwide at screening venues across Bucheon from July 2 to 12, for 10 days
The Bucheon International Film Festival has announced invited films for its Korean competition section after reaching its 30th edition. The 30th Bucheon International Fantastic Film Festival, which opens on July 2, announced 10 invited titles on June 1.
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie GenreThe hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
“If you pick the wrong person, it’s all over” Park Myung-soo’s sincerity beyond “rant comedy” ahead of June 3 local elections

“If you pick the wrong person, it’s all over” Park Myung-soo’s sincerity beyond “rant comedy” ahead of June 3 local elections

Hosting KBS Radio, he urged advance voting for the June 3 local elections. Indirectly criticizing the Dec. 3 illegal martial law situation, he stressed voters should exercise their rights.
“The weight of choice, the only key to preventing a disaster”… Park Myung-soo’s blunt warningBroadcaster ‘Park Myung-soo’ delivered a sharp rebuke at the microphone on the first day of the ‘advance voting’ period for the 9th nationwide local elections, on the 29th.
Webtoon Live-Action ‘The Girl in Class’ Unveils 3 Key Viewing Points Ahead of Its May 31 Release

Webtoon Live-Action ‘The Girl in Class’ Unveils 3 Key Viewing Points Ahead of Its May 31 Release

Kim Myung-jun, Jini, and Lee Ye-in preview their debut-first-love chemistry—clumsy yet pure—with their youthful romance The adaptation of webtoon author Park Su-bong’s original work captures the signature sense of space with analog color and careful, detailed direction A tender, lingering unrequited crush from school days that anyone across generations can relate to
Ahead of its release, 〈The Girl in Class〉 introduced three viewing points and raised expectations. The fresh chemistry three youths will create Based on the webtoon of the same name, 〈The Girl in Class〉 shared three viewing points to captivate viewers ahead of its May 31 release.
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2. ​Unlike how she appears—bright-minded and bold in taking on challenges—what I heard is that the reason she started acting in the first place was a process meant to heal her fear.
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...