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Dong-won Gang X Ji-hyun Park X Tae-gu Uhm, the Retro Mixed-Gender Group “Triangle” Making a Surprise Debut?…Unique Promotion for the Film “Wild Thing”

Dong-won Gang X Ji-hyun Park X Tae-gu Uhm, the Retro Mixed-Gender Group “Triangle” Making a Surprise Debut?…Unique Promotion for the Film “Wild Thing”

Actors Dong-won Gang, Ji-hyun Park, and Tae-gu Uhm boldly transform into the dance group “Triangle” from the film “Wild Thing.” On April 10, the official channel shared member-by-member posters and a teaser video for the new song to generate buzz. “Wild Thing,” which tells the story of a mixed-gender group returning after reuniting more than 20 years after disbanding, will hit theaters in June after the title track is released in advance.
The three actors appearing in 〈Wild Thing〉 have transformed into a retro group. Actors Dong-won Gang, Ji-hyun Park, and Tae-gu Uhm introduced themselves to the public as a mixed-gender group. On April 10, the official Triangle channel released member posters and a teaser video for the new song.
| Seongchan Eol
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.
| Kim Ji-yeon
[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

I go crazy for subculture. I check out anything with fresh stories, settings or characters — not only films but webtoons, games, comics and animation. I entered the world of fandom through comics: as an adult I read comics as e-books and webtoons on my smartphone, a self-described 'kidult.' But it's less fun alone. I write Seong Chan-eol's Comics to share things that are more enjoyable together, seen from the perspective of an omnivorous fan.
To be frank, this is one of my current favorite comics, but it’s one I avoided writing about for a while. It’s wildly fun and genuinely heart-fluttering, but the barrier to entry is high. If even I, a fan of the series, felt that hesitation, I wasn’t sure how many readers would go along with it.
| Seongchan Eol
[Weekend Theater] Toy Story 5 Returns After 7 Years, Dominates Theaters With a 47% Booking Rate

[Weekend Theater] Toy Story 5 Returns After 7 Years, Dominates Theaters With a 47% Booking Rate

A counterattack from toys that lost children to smart devices. Right after release, it sweeps both the box office and booking-rate charts to signal a major surge at the box office
Pixar’s masterpiece, which has broken a long seven-year silence, Toy Story 5 shook up the weekend theater scene and announced the king’s return. It’s more than a hit—it’s the rekindling of a cultural phenomenon that cuts across generations.
| James choi
Where You’ve Seen the ‘My Flavor Boys’ Cast From 〈The Legend of Kitchen Soldier〉 Before, Including a ‘Squid Game’ Actor

Where You’ve Seen the ‘My Flavor Boys’ Cast From 〈The Legend of Kitchen Soldier〉 Before, Including a ‘Squid Game’ Actor

The fictional boy band My Flavor Boys has become one of the breakout gags of TVING’s 〈The Recruit Cook Becomes a Legend〉 — popular enough to land on 〈M COUNTDOWN〉 and send viewers searching for the actors behind the group.
| Kim Ji-yeon
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol