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Choi Young-jun's 'Dance Through the Nation' Unveils 30,000-Won Wager for 12-University Dance Battle

Choi Young-jun's 'Dance Through the Nation' Unveils 30,000-Won Wager for 12-University Dance Battle

Opens on the 19th at 1MILLION Seoul studio, introducing a first-of-its-kind audience-participation judging system K-pop choreography master Choi Young-jun is bringing a new shake-up to South Korea's dance scene through OATD (Of All Things, Dance), a dance intellectual property brand he leads.
Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

This sci-fi action film follows a man who dons the AI he created and the combat suit his father discarded to take on the deadliest virus and save humanity from a rogue AI.
〈Stilray〉 is a 90-minute robot sci-fi film made entirely with AI. It is not a film that merely used AI in part; it is a feature-length production created with AI tools from planning and video production through postproduction.
[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

I am drawn to music in films. Music often reveals a character's intimate feelings that images and dialogue alone cannot convey. It can also serve as a window into a creator's hidden intentions. For me, understanding film music has been one way to approach a movie.
‘Family Trip’ Director Jeong Jong-seop Reveals Why He Co-Directed With Kim Jeong-tae and Wrote the Screenplay

‘Family Trip’ Director Jeong Jong-seop Reveals Why He Co-Directed With Kim Jeong-tae and Wrote the Screenplay

〈Family Trip〉 follows five family members headed to one destination but harboring five different agendas in a road movie about a family worse than strangers embarking on a hopeless journey.
Jeong Jong-seop, director of the film 〈Family Trip〉, which opens Sept. 30, has shared behind-the-scenes stories about Lee Hwi-hyang, who is meeting audiences in her first leading screen role, and “10-million-ticket actor” Kim Jeong-tae, who is set to make his directing debut as a co-director.
Fingernail-eating ‘Mousetrap’ hits the mark, tops Netflix’s global non-English shows

Fingernail-eating ‘Mousetrap’ hits the mark, tops Netflix’s global non-English shows

In its second week, the series landed on the Top 10 lists in 45 countries, including South Korea, Malaysia, Oman, the Philippines and Argentina.
The tracking thriller 〈Mousetrap〉, which follows novelist Moon Jae after a mysterious entity called “Mousetrap” steals his name, face and entire life, as well as loan shark No Ja, who is trying to recover lost money, and detective Sun-yong as they pursue the entity’s identity, has risen to No.
[Kim Ji-yeon’s Jewel Box] Yun Sang-jung, a Defining Face for Gen Z

[Kim Ji-yeon’s Jewel Box] Yun Sang-jung, a Defining Face for Gen Z

I'm curious about people. Even actors who already attract attention can be at a low ebb — Kim Ji-yeon's Jewel Box introduces performers whose profiles keep rising; consider it a 'buy-the-dip' guide to spotting breakout talent.
Does an actor grow by meeting the right director, landing the right project and learning alongside more seasoned performers. There was a time when television dramas and films were almost the only stages for actors to develop.
Netflix's 'Field Rat' Tops Global Chart With 4.4 Million Views, Wins Over the World With a Twist on Folklore

Netflix's 'Field Rat' Tops Global Chart With 4.4 Million Views, Wins Over the World With a Twist on Folklore

Thriller starring Ryu Jun-yeol and Sol Kyung-gu ... 'Four Hands' ranks fifth and 'This Damn Love' seventh
K-thriller reaches No. 1 among non-English titles two weeks after release, breaks into top 10 in 45 countries Ryu Jun-yeol and Sol Kyung-gu lead Netflix mystery thriller 'Field Rat', which has emerged as the latest force behind a global streaming surge.
Oasis: Don't Look Back in Anger Comes to Screen, Telling the Story of a 15-Year Feud's End —

Oasis: Don't Look Back in Anger Comes to Screen, Telling the Story of a 15-Year Feud's End — "A Film About Forgiveness"

Exclusive Lotte Cinema screening on the 9th will feature six weeks of intimate footage and the brothers' first joint interview in 20 years…
The 'Gallagher brothers' break 15 years of silence as Britpop legend returns to the big screen 'Oasis: Don't Look Back in Anger', a documentary closely following British rock legends 'Oasis' on their historic reunion tour, will open exclusively at Lotte Cinema on the 9th.
Lee Jae-myung, Macron launch 800 billion won Lumière pact for Korea-France film ties — K-content’s five-year turnaround

Lee Jae-myung, Macron launch 800 billion won Lumière pact for Korea-France film ties — K-content’s five-year turnaround

Film roundtable and meeting with Motion Picture Association member companies Korea and France launch a 500 million-euro audiovisual investment initiative and discuss AI, nuclear power and solutions to the Strait of Hormuz crisis in Paris
Summit diplomacy expands K-content’s reach and reshapes global audiovisual industry South Korean President Lee Jae-myung, on a state visit to France, made a bold push for “K-content” at the heart of global cultural influence.
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.