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[Photo &] Ulsan Uljoo World Mountain Film Festival Opens Sept. 18… 11 Quirky Theaters Including ‘Car Camping’ and ‘Tent’ Venues (Press Conference Scene)

[Photo &] Ulsan Uljoo World Mountain Film Festival Opens Sept. 18… 11 Quirky Theaters Including ‘Car Camping’ and ‘Tent’ Venues (Press Conference Scene)

The event centralizes festival spaces across Yeongnam Alps, with 114 films from 35 countries screened… Actor Uhm Eun-jung steps in as master of ceremonies for the opening ceremony
A wondrous moment to face film in the embrace of the great outdoors has arrived. The 11th “Ulsan Uljoo World Mountain Film Festival” has confirmed its opening for Sept. 18, and it will showcase 114 works from 35 countries across 11 distinctive screening venues, including “Car Camping Theaters” and...
Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

A new video directed by Kim Cho-hee features Executive Committee Chair Jang Hang-jun and writer Kim Eun-hee, who both appear in person to grab attention
A gathering of masters returns, bigger than ever '22nd Jecheon International Music Film Festival' , the only music film festival in Asia, announced its dazzling return with record-high screenings and an overwhelming roster of guests. Running from Sept.
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Netflix original series “The Boy at the Back Row” slams into the charts at the top, including in South Korea, Japan and Greece, on the FlixPatrol chart A gripping psychological suspense that targets viewers worldwide, as teacher Heomun-oh and genius engineering student Kang Lee’s attempt to chase creativity turns into an unrelenting standoff An undeniable performance synergy among trusted actors such as Jun Ho Heo, Yoon-jin Kim, Kyung Jin and Jeong-hee Moon, in starring roles by Choi Min-sik and Choi Hyun-woo
〈The Boy at the Back Row〉 has proven its global popularity and has emerged as a new breakout talking point. Within 3 days of release, it tops charts in 32 countries worldwide Netflix original series 〈The Boy at the Back Row〉 scored a quick win after its worldwide simultaneous release on June 26,...
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
NMIXX Named Publicity Ambassador for the British Embassy in Korea Campaign “Dreaming Girls—Nothing Is Impossible”

NMIXX Named Publicity Ambassador for the British Embassy in Korea Campaign “Dreaming Girls—Nothing Is Impossible”

The British Embassy in Korea selects the official face for its women’s empowerment campaign, underscoring its global positive impact. Shima Mallotra, U.K. Minister of State, directly presents the letter of appointment… The appointment is expected to spotlight NMIXX as a role model for girls worldwide Kicking off in Bangkok on the 13th, the group launches its first world tour across five Asian cities including Singapore, Hong Kong and Tokyo
The trend-setting girl group “NMIXX” will serve as a publicity ambassador for the British Embassy in Korea’s women’s empowerment campaign. British Embassy in Korea women’s empowerment campaign publicity ambassador appointment On the 12th, according to agency JYP Entertainment, the British Embassy...
The Era of Martial Arts Has Not Ended! BIFAN’s 30th Anniversary Opening Film “Blades of the Guardians: Wind Rises in the Desert” Hits Korean Theaters in the Second Half of the Year!

The Era of Martial Arts Has Not Ended! BIFAN’s 30th Anniversary Opening Film “Blades of the Guardians: Wind Rises in the Desert” Hits Korean Theaters in the Second Half of the Year!

Bruce Lee’s screen comeback after 14 years, with Director Yuan Huaping of the legendary original comic drama at the helm and action star Wu Jing from Greater China starring as the lead.
Restoring the long-lost impact, a “real” action that thrilled the world A work titled “Blades of the Guardians: Wind Rises in the Desert,” in which Hong Kong martial arts film legend and the master who designed action for “Crouching Tiger, Hidden Dragon” and “The Matrix” takes the megaphone, is...