Search results for "Lee Jeong-eun"

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“Kim Hye-soo,” one of South Korea’s leading actresses, has pushed past another limit through the Coupang Play original series “Now Affairs Aren’t the Problem”. The work, which achieved a landmark as the No. 1 in cumulative viewership among all Coupang Play series, is a daring black comedy that...

The Coupang Play series 〈The Affair was Just the Beginning〉, which has released four episodes so far (hereafter 〈The Affair〉), is a series whose appeal lies in peeling back its many layers one by one. Blending cynicism and wry laughter, satire and boldness, the series never loses energy as it...

An office survival thriller that breaks 400 years of silence, a twist on comedy and exorcism actionActors 'Ahn Jae-hong' and 'Lee Da-hee' take on a corpse monster sealed away for 400 years. CJ ENM, the investing and distribution company, said that the original comedy film 'Corpse Monster: Fear...

A wondrous moment to face film in the embrace of the great outdoors has arrived. The 11th “Ulsan Uljoo World Mountain Film Festival” has confirmed its opening for Sept. 18, and it will showcase 114 works from 35 countries across 11 distinctive screening venues, including “Car Camping Theaters” and...

A romantic comedy depicting the thrilling, stick-to-your-soul cohabitation of prosecutor Go Eun-sae (Ha-young), who is suffering from amnesia, and boxing coach Jang Tae-ha (Jeong Hae-in), who claims—on his own—that he is her boyfriend, has held a successful production-launch event today (the 5th).

MBC's Friday-Saturday drama 〈A Bona Fide Killer〉 (Planning: Kwon Seong-chang; written by Kim Eun-hee; directed by Yoon Jong-ho and Kim Ji-hoon) has led both ratings and buzz indicators since its premiere, according to newly released July rankings.

In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...

Amid an onslaught of digital, ‘solid comfort’ delivered by analogIn today’s era, when artificial intelligence and advanced digital technology have encroached on everyday life, a distinctive YouTube content series that brings back the warm sensibilities of the 1980s and 1990s is finding its way to...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.