Search results for "Short-form drama"

TVING Launches Differentiated K-Short Form Content 'TVING Short Original'

TVING Launches Differentiated K-Short Form Content 'TVING Short Original'

〈Shut Up, You're the Villain of My Work〉,〈Neighbor Killer〉,〈I Will Repay Infidelity with Infidelity〉,〈Me, Myself and I〉 and Various Content Lineup to be Released Sequentially
The representative OTT platform in Korea, TVING, announced on the 29th that it will officially launch its self-produced short form content 'TVING Short Original' based on its K-content production capabilities on August 4th.
Emmy Rossum Lays Bare the Full Story of Her Secret Marriage and Divorce After 16 Years—“We Picked Either Break Up or Marry Before Getting on the Plane”

Emmy Rossum Lays Bare the Full Story of Her Secret Marriage and Divorce After 16 Years—“We Picked Either Break Up or Marry Before Getting on the Plane”

Rossum Appears on the Popular Podcast “Call Her Daddy” on the 8th, Telling for the First Time the Backstory of Her Marriage to Former Music Producer Justin Siegel
Emmy Rossum (39), the star of the U.S. hit drama Shameless and well known in South Korea for The Phantom of the Opera, laid bare shocking behind-the-scenes details, in her own words, about her secret marriage and divorce with her former husband, music producer Justin Siegel, which took place only a...
Cardi B Is Dating Rumored With Nigeria’s “Hot” Goalkeeper Maduka Okoye—Sitting Right Next to Him at Fashion Week?

Cardi B Is Dating Rumored With Nigeria’s “Hot” Goalkeeper Maduka Okoye—Sitting Right Next to Him at Fashion Week?

Cardi B and “Robert Wun” couture audiences watch back-to-back at Paris Fashion Week, going viral via TikTok; fans cheer the “etiquette” of Okoye escorting her in a dress as they say, “We want to meet her right now”; the rumor is accelerating amid an unstable on-off dating history with NFL star Stefon Diggs
Cardi B (Cardi B·33) is at the center of pink dating-rumor chatter this time, this time with a good-looking goalkeeper plying his trade on Europe’s soccer scene. A short video clip—captured for just a few seconds at Paris Fashion Week—has completely thrown social media around the world into a...
‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

A roughly three-minute sequence showing the past of Kim Bu-jang (So Ji-seop), the protagonist and a former special agent, was entirely produced with AI.
SBS Friday-Saturday drama ‘Kim Bu-jang’ (written by Nam Dae-jung, directed by Lee Seung-young and Lee So-eun, planned by Studio S, produced by Studio S, and Fantagio) is drawing another wave of attention after adopting bold AI technology, as it has broken through 21.
‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

A rival setup of piano prodigies from an arts high school background. Song Kang’s comeback project and Lee Jun-young’s last work before enlisting
Fate of two prodigies crossing on the keys, tvN’s new weekend drama 'For Hands' makes a heavy entranceOn the screen, classic melodies and a thick wave of youthful pathos rush in. tvN’s eagerly anticipated new weekend drama 'For Hands' will home in on viewers’ living rooms at 9:10 p. m.
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.