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'SNL Korea' in Demand: Lee Soo-ji Undergoes Vocal Cord Nodule Surgery—Will Broadcast Schedule Be Affected?

'SNL Korea' in Demand: Lee Soo-ji Undergoes Vocal Cord Nodule Surgery—Will Broadcast Schedule Be Affected?

The star of 'A Thousand Faces,' returning stronger after a beat—ready to come back with more toughness!
After a Pause, 'A Thousand Faces'—A Return Poised to Be Even StrongerComedian 'Lee Soo-ji' (41), who has captivated the public with her unmatched ability to pull off characters, takes a moment to catch her breath.
| James choi
Disney+’s “A Shop for Killers” Season 2 Opens Immersive Pop-Up Store “Murderhelpp Gangnam”

Disney+’s “A Shop for Killers” Season 2 Opens Immersive Pop-Up Store “Murderhelpp Gangnam”

Ahead of the release of Season 2, the immersive pop-up opens for fans in the Seoul Gangnam District starting July 10 Perfectly recreating the secret “murderhelp” shopping mall that takes over the roles of Lee Dong-wook and Kim Hye-jun, with mission spaces including an armory Operated exclusively for adult viewers ages 19 and older, with a treat for all five senses promised not only for existing subscribers but also for newly arriving fans
〈A Shop for Killers Season 2〉 built excitement by opening an immersive pop-up ahead of its release. 〈A Shop for Killers Season 2〉 will meet viewers by opening “Murderhelpp Gangnam” in Seoul’s Gangnam District starting July 10.
| Seongchan Eol
Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Top-star couple Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won) face a breakup after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly appears, then—eight years later—get pulled into a shocking incident as they risk everything to save Dong-ju.
The movie ‘Bikwang’ is the heartfelt family chronicle directed by Lee Ji-won, in which Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won)—a top-star couple—split up after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly shows up, and then eight years later, Dong-ju becomes entangled in a shocking...
| Joo Seong-cheol
'Rookie Employee Chairman Kang' ends with a glorious reverse sweep at 13.6%... Lee Jun-young pulls off a surprise soul switch with Ryujin

'Rookie Employee Chairman Kang' ends with a glorious reverse sweep at 13.6%... Lee Jun-young pulls off a surprise soul switch with Ryujin

After climbing from a 3.7% viewership rating to 13.6%, 'Rookie Employee Chairman Kang' wrapped up its run with a satisfying revenge and a shocking second soul-switch ending that delivered a perfect finish.
From 3. 7% to 13. 6%, the completion of a 'reverse-sweep miracle'JTBC weekend drama 'Rookie Employee Chairman Kang' ended its long run with a remarkable upward viewership trajectory. According to Nielsen Korea, the final episode (Episode 12) aired the previous day posted a 13.
| James choi
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
| James choi
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정