Search results for "Seoul"

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

Between purity and audacity, a reopened project to spark romance Last year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...

A seismic shift in the global music ecosystem has already begun. 'Stray Kids' has etched yet another dominant milestone onto Spotify, the world’s largest audio platform. According to an official announcement from JYP Entertainment on the 1st, their albums 'ODDINARY ' and 'ATE ' have sequentially...

A Field That Disregarded the Weight of History, and a Steadfast 'Red Card' for Entertainment This is a decision that goes beyond simple sports entertainment. Popular baseball variety program 'Fire Baseball 2' has taken a firm measure after recognizing the seriousness of the 'Local Put-Down...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

The return of a maestro after 10 years of silence, facing an acoustic guitar A living legend of South Korea’s pop music world, singer Kim Gun-mo is coming back to the public after an unusually long stretch of silence lasting 10 years. His agency, Geon-eum Planning, said that at 6 p. m.

Park Se-young's new film 〈The Fin〉, from the director of 〈The Fifth Thoracic Vertebra〉, has set a July 22 release in South Korea and unveiled its main poster. 〈The Fin〉 is a dystopian art-house science-fiction film set in a near-future, unified Republic of Korea where genetically mutated "Omega"...

The film 〈Assassin 〉 confirmed its release for the 2026 Chuseok holiday and unveiled two launch posters on the 30th, with production and distribution handled by Hive Media Corp. 〈Assassin 〉 is a mystery investigative drama about the first lady shooting that took place during the Liberation Day...