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Search results for "Science"

Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

I am captivated by music in film. Music often conveys a character's intimate emotions that images and dialogue alone cannot fully express. It can be a window into a creator's hidden intent. For me, understanding film music is one path to understanding the film itself.
| Chua-young
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’ South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
Master of Illusion Ridley Scott Wins Oscar Honor at Last

Master of Illusion Ridley Scott Wins Oscar Honor at Last

Scott, a director with a 60-year path in film who never had ties to the Academy Awards, earns recognition for a lifetime of work
The King of Untethered Vision Finally Grabs a Golden Oscar After more than half a century, 'Ridley Scott', the maestro who reshaped Hollywood's landscape, has at last broken the Academy's long-standing indifference and earned the honor of an achievement award.
| James choi
A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibility The willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
| Chua-young
A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

〈The Sheep in the Box〉 may be Kore-eda Hirokazu’s most ambitious film, but its reach exceeds its grasp. Revisiting his long-running interest in alternative-family narratives while returning to science fiction after 〈Air Doll〉 (2009), Kore-eda attempts to expand his themes beyond the human realm to...
| Chua-young
Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Released four years after Steven Spielberg turned to an autobiographical story with The Fabelmans, 〈Disclosure Day〉 marks his return to science fiction. Given Spielberg's earlier alien-centered classics Close Encounters of the Third Kind and E. T.
| Seongchan Eol
‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

[First Reactions] Today is Disclosure Day: Steven Spielberg’s new sci-fi film 〈Disclosure Day〉 opens in theaters, and Cineplay reporters Sung Chan-eol and Kim Ji-yeon share their first impressions after a press screening.
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie Genre The hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
Netflix’s “3 Body Problem” Exec Sentenced to Death After Poisoning Billionaire in China

Netflix’s “3 Body Problem” Exec Sentenced to Death After Poisoning Billionaire in China

A former executive carried out the killing of a man in his 30s using poison sourced on the dark web after being cut out following a Netflix deal
The dark side of “3 Body Problem”, a tragedy, and the fate of the billionaire-poisoner Behind the success of the science-fiction blockbuster “3 Body Problem”, which swept the globe, lay a brutal tale of revenge and blood.
| James choi