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Search results for "Yeon Sang-ho Director"

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
| James choi
WOWPOINTX teams up with Yeon Sang-ho for Netflix series “Gas Man” — main trailer and poster unveiled

WOWPOINTX teams up with Yeon Sang-ho for Netflix series “Gas Man” — main trailer and poster unveiled

Yeon Sang-ho, who serves as executive producer and screenwriter, will reboot 〈Gas Man No. 1〉 (1960) as a Netflix series made up of 8 episodes.
Netflix has released the main trailer and key art for 〈Gas Man〉, a Netflix series slated for worldwide release on July 2, 2026. 〈Gas Man No. 1〉 (1960), the legendary film, will be rebooted as a Netflix original Japanese series with a total of 8 episodes.
| Joo Seong-cheol
BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

Recliner seats will be kept available for rest until 7 a.m. the next day after the film screenings at the Busan flagship store on the 12th and 13th…A late-night haven for ARMY at home and abroad
A theater wrapped in a violet tide—‘Purple Night in Busan’ for ARMYMore than just a viewing experience, it’s a place for complete rest. Lotte Cinema has unveiled an unprecedented late-night sanctuary built for the world’s ‘ARMY’.
| James choi
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Joo Seong-cheol
[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

South Korea’s theaters are in an unprecedented state of infection right now. Created by director Yeon Sang-ho, the K-zombie milestone of ‘Swarm’ has completely wrecked the weekend box office while displaying overwhelming dominance for its third week of release.
| James choi
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Joo Seong-cheol
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie GenreThe hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon