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[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
[Photo &] Kim Go-eun, Back as “Yumi,” Rocks a Stunning Short-Hair Look After 3 Years… Season 3 Behind-the-Scenes Revealed

[Photo &] Kim Go-eun, Back as “Yumi,” Rocks a Stunning Short-Hair Look After 3 Years… Season 3 Behind-the-Scenes Revealed

Even after returning after three years, her flawless character-to-character chemistry and refreshingly vibrant short-hair style are getting serious attention.
Kim Go-eun Returns After 3 Years, Back as Perfect “Yumi”Actor “Kim Go-eun” has grabbed the attention of both audiences and critics by sharing, in quick succession, behind-the-scenes photos from the set of the TVING original series “Yumi’s Cells Season 3.
| James choi
Why Is the Title “Renoir”? Director Chie Hayakawa Shares Her First Impressions of Visiting Korea!

Why Is the Title “Renoir”? Director Chie Hayakawa Shares Her First Impressions of Visiting Korea!

“It’s Okay to Misunderstand”—A Request for Free Interpretation… Meeting Korean Audiences for 2 Nights and 3 Days Starting the 23rd
The film is an entry in the main competition at the 78th Cannes Film Festival and director Chie Hayakawa’s new work, 〈Renoir〉, is raising anticipation by delivering the director’s intentions behind its distinctive title along with news of her visit to Korea.
| Chua-young
'Sato-San and Sato-San' Kishii Yukino Sweeps Major Japanese Film Awards and Receives an Invitation to the Cannes Film Festival

'Sato-San and Sato-San' Kishii Yukino Sweeps Major Japanese Film Awards and Receives an Invitation to the Cannes Film Festival

A Hyper-Realism Drama Portraying 15 Years of Love and a Fracture in Reality
Kishii Yukino, a powerhouse actress who represents the Japanese film industry, once again precisely digs into audiences’ hearts through the film 〈Sato-San and Sato-San〉. Set for release on April 29, this work is quickly emerging as one of the most anticipated titles of the first half of the year,...
| Chua-young
[Photo &] On His First Visit to Korea, Director Stephen Daldry Praises “Billy Elliot” Korean Performers as World-Class — Press Conference Scene

[Photo &] On His First Visit to Korea, Director Stephen Daldry Praises “Billy Elliot” Korean Performers as World-Class — Press Conference Scene

A powerful debut of the Korean production from Stephen Daldry, the original creative director. A behind-the-scenes look at Elton John’s musical proposal, and the value of the performing arts in the AI era!
[Photo News] Live Art in Real Time — the Overwhelming Catharsis of the Musical 'Billy Elliot'Unlike film, the stage of the musical 'Billy Elliot' reveals the essence of live performance—dancing on and on until the actors reach their physical limits.
| James choi
Screen-to-Stage: Yeon Sang-ho’s “Gunche” Is Born as an Immersive Theater Experience Launching in May

Screen-to-Stage: Yeon Sang-ho’s “Gunche” Is Born as an Immersive Theater Experience Launching in May

Experience an evolving zombie outbreak firsthand in the theater Launching in May: an audience-participation immersive show, “Inside the Play,” built on the legendary sellout run
Horror that tears through the screen—“Gunche,” Yeon Sang-ho’s creationOfficially invited to the 79th Cannes Film Festival’s Midnight Screening section and spotlighted around the world, director “Yeon Sang-ho”’s new work “Gunche” breaks free from the spatial limits of a traditional theater and...
| James choi
‘Renoir’ Prodigy Actress Yui Suzuki at Age 11 Wins the Kinema Junpo New Actor Award

‘Renoir’ Prodigy Actress Yui Suzuki at Age 11 Wins the Kinema Junpo New Actor Award

Introducing Yui Suzuki, born in 2013, who debuted at the Cannes Film Festival in the second year of her acting career!
The film 〈Renoir〉, opening on April 22, brings everyone’s childhood to mind through the eyes of an 11-year-old girl, “Fuki,” as she learns about the world. In particular, interest in 2013-born actress Yui Suzuki—who portrays the lead role of Fuki and won the Kinema Junpo New Actor Award—is...
| Chua-young
After BTS’s Gwanghwamun Performance, Gyeongbokgung Welcomes 50,000 Visitors…A K-Traditional Culture Windfall

After BTS’s Gwanghwamun Performance, Gyeongbokgung Welcomes 50,000 Visitors…A K-Traditional Culture Windfall

After BTS’s Gwanghwamun performance, visitor numbers more than doubled… The Cultural Heritage Administration pushes to make palaces and royal tombs globally iconic destinations
BTS to Set Gwanghwamun Ablaze… A “BTS Special” ExplosionThe comeback concert by the group “BTS”, which lit up the Gwanghwamun area in Seoul, sparked a surge of interest in K-traditional culture. Immediately after the show, visitors to Gyeongbokgung Palace jumped to more than double the usual...
| James choi
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay
[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

[Interview] What Does Kim Hye-yoon’s Genre Side Look Like? “Salmokji” Kim Hye-yoon ①

“Acting that communicates just with eye contact and breathing—this feels like I’m doing a whole new kind of acting.”
Should we believe it. Or should we not believe it until we’ve seen it for ourselves. The character Suin (Kim Hye-yoon) in 〈Salmokji〉 also hesitates at that same crossroads. After sensing a secret she didn’t believe in with her own body, she gradually gets swallowed by the fear inside.
| Kim Ji-yeon