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A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
ENHYPEN Heads to Comic-Con in the U.S.…A Vampire Talk With ‘Twilight’ Director

ENHYPEN Heads to Comic-Con in the U.S.…A Vampire Talk With ‘Twilight’ Director

Based on HYBE’s original story universe ‘Dark Moon,’ the group will meet top Hollywood stars and has also teased a special solo performance
It’s moving beyond the boundaries of K-pop and toward the heart of global pop culture. The group ‘ENHYPEN’ has made a splash at ‘San Diego Comic-Con 2026 (SDCC 2026)’, the largest entertainment festival in the United States, drawing attention from fans worldwide and the wider subculture scene at...
Dynamic Duo Performances—Plus Fireworks: Inje Motorsport’s Hyundai N Festival Kicks Off

Dynamic Duo Performances—Plus Fireworks: Inje Motorsport’s Hyundai N Festival Kicks Off

Free event at Inje Speedium for two days starting on the 11th. Recommendations for a family weekend culture, with Dynamic Duo performances, night races, and shuttle bus service
The evolution of motorsports: An overwhelming spectacle that lights up the circuit on a midsummer night The '2026 Hyundai N Festival' Round 3 of Korea’s largest-scale one-make race, expanding the horizons of South Korean motorsports, kicks off at Inje Speedium in Gangwon Province with an imposing...
'Kim Bu-jang' Fever: Analysis of How the Show Captures Home and Global Audiences at Once

'Kim Bu-jang' Fever: Analysis of How the Show Captures Home and Global Audiences at Once

SBS' 'Kim Bu-jang,' which seized the ratings lead and Netflix No. 1, hits the living-room dramas with So Ji-sub's overpowering action and OTT-level intensity
The syndrome sparked by 'Father's Wrath'—grabs both local living-room audiences and the world SBS weekend-and-holiday drama 'Kim Bu-jang' is unleashing an unprecedented surge by devouring not only the local living-room drama scene but also the global OTT ecosystem.
‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

A roughly three-minute sequence showing the past of Kim Bu-jang (So Ji-seop), the protagonist and a former special agent, was entirely produced with AI.
SBS Friday-Saturday drama ‘Kim Bu-jang’ (written by Nam Dae-jung, directed by Lee Seung-young and Lee So-eun, planned by Studio S, produced by Studio S, and Fantagio) is drawing another wave of attention after adopting bold AI technology, as it has broken through 21.
“Kimbu Jang” Breaks 20% Viewer Ratings, Tops Netflix’s Non-English Shows

“Kimbu Jang” Breaks 20% Viewer Ratings, Tops Netflix’s Non-English Shows

After just four episodes, it hits a 21.6% rating and sweeps global OTT platforms, fueling a surge in K-content hits
The Evolution of K-Action That Takes Over Global Living Rooms, the Opening Act of an Overwhelming Sensation Global OTT services and South Korea’s living-room screens are both in turmoil. At the center is ‘Kimbu Jang,’ an action blockbuster that signals the return of actor ‘So Ji-sub.
‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
Aftermath of Actress Ji-soo’s ‘School Violence Exit’… Ex-Agency Ordered to Pay 880 Million Won

Aftermath of Actress Ji-soo’s ‘School Violence Exit’… Ex-Agency Ordered to Pay 880 Million Won

The drama ‘River Where the Moon Rises’ wraps up a school-violence-related exit controversy three years later— The Supreme Court’s decision to withdraw an appeal makes KeyEast’s final compensation of 880 million won to the former agency.
The lawsuit filings left behind by actress ‘Ji-soo’ and the ‘school violence’ scandal were brutal. During the broadcast run of the KBS 2TV drama ‘River Where the Moon Rises,’ the agency that had previously managed him ultimately paid a steep price after he was removed from the project in disgrace.